Summary

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Rome…

After his disaster at Lourdes from which he had scarcely recovered, he had come to attempt another and supreme experiment by asking Rome what her reply to his question would be. And now the experiment had failed, he knew what answer Rome had returned him through her ruins, her monuments, her very soil, her people, her prelates, her cardinals, her pope! No, Catholicism could not be renewed: no, it could not revert to the spirit of primitive Christianity; no, it could not become the religion of the democracy, the new faith which might save the old toppling societies in danger of death.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Rome…

Yonder, under your Holiness's windows, have I not seen a district of horrors, a district of unfinished palaces stricken like rickety children who cannot attain to full growth, palaces which are already in ruins and have become places of refuge for all the woeful misery of Rome? And here, as in Paris, what a suffering multitude, what a shameless exhibition too of the social sore, the devouring cancer openly tolerated and displayed in utter heedlessness! There are whole families leading idle and hungry lives in the splendid sunlight; fathers waiting for work to fall to them from heaven
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Rome…

Pierre smiled, won over; and as soon as he was able to speak, he said:
"The problem must be tackled down below, among the people. You must make
men!"
"Exactly!" cried Orlando. "I don't cease repeating it, one must make Italy. It is as if a wind from the East had blown the seed of humanity, the seed which makes vigorous and powerful nations, elsewhere. Our people is not like yours in France, a reservoir of men and money from which one can draw as plentifully as one pleases. It is such another inexhaustible reservoir that I wish to see created among us.
Source: Gutenberg

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