Summary

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy: Rome…

“ A little quiver of fear was coming over Pierre. The contagion of the unknown, of the black intrigues plotted in the dark, was spreading amidst the silence of the night in the depths of that palace, near that Tiber, in that Rome so full of legendary tragedies. But all at once the young man's mind reverted to himself, to his own affair. "But what is my part in all this?" he asked: "why does Monsignor Nani seem to take an interest in me? Why is he mixed up in the proceedings against my book?"
"Oh! one never knows, one never knows exactly!" replied Don Vigilio, waving his arms.
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Source: Gutenberg

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy: Rome…

“ Benedetta began to laugh, while the two young men made merry. "But you are as beautiful as I am, darling," said the Contessina. "And if we are beautiful it is because we are happy."
"Yes, yes, happy," Celia gently responded. "Do you remember the evening when you told me that one didn't succeed in marrying the Pope and the King? But Attilio and I are marrying them, and yet we are very happy."
"But we don't marry them, Dario and I! On the contrary!" said Benedetta gaily. "No matter; as you answered me that same evening, it is sufficient that we should love one another, love saves the world."
”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy: Rome…

“ When Pierre on entering was ushered into the reception-room of Monsignor Nani who, as assessor, lived in the palace, he experienced an agreeable surprise. The apartment faced the south, and was spacious and flooded with sunshine. And stiff as was the furniture, dark as were the hangings, an exquisite sweetness pervaded the room, as though a woman had lived in it and accomplished the prodigy of imparting some of her own grace to all those stern-looking things. There were no flowers, yet there was a pleasant smell. A charm expanded and conquered every heart from the very threshold. ”
Source: Gutenberg

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