Summary

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Lourdes…

But the Grotto especially shone out before him. It was no longer the wild, rocky cavity before which the child had formerly knelt on the deserted bank of the torrent; it was a chapel, transformed and enriched, a chapel illumined by a vast number of candles, where nations marched past in procession. All the noise, all the brightness, all the adoration, all the money, burst forth there in a splendour of constant victory. Here, at the cradle, in this dark, icy hole, there was not a soul, not a taper, not a hymn, not a flower. Of the infrequent visitors who came thither, none knelt or prayed.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Lourdes…

Marie had raised her eyes. Up yonder, on the left-hand side of the Basilica, she could see other lights incessantly appearing with that mechanical kind of movement which seemed as though it would never cease. “Ah!” she said, “how many, how many distressed souls there are! For each of those little flames is a suffering soul seeking deliverance, is it not?”
Pierre had to lean over in order to hear her, for since the procession had been streaming by, so near to them, they had been deafened by the sound of the endless canticle, the hymn of Bernadette.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Lourdes…

The doctor was growing impassioned, excited. But all at once he became calm again, and a pale smile returned to his lips. “‘Tis true,” said he, “I love her; the more I have thought of her, the more have I learned to love her. But you must not think, Pierre, that I am completely brutified by belief. If I nowadays acknowledge the existence of an unseen power, if I feel a need of believing in another, better, and more just life, I nevertheless know right well that there are men remaining in this world of ours; and at times, even when they wear the cowl or the cassock, the work they do is vile.”
Source: Gutenberg

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