Summary

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Paris…

This morning, in a frightful house, in the Rue des Saules, behind Montmartre, I beheld a sight which utterly upset me. You can have no idea what an abode of misery and suffering it was; its inmates without fire or bread, the men reduced to idleness because there is no work, the mothers having no more milk for their babes, the children barely clad, coughing and shivering. And among all these horrors I saw the worst, the most abominable of all, an old workman, laid on his back by age, dying of hunger, huddled on a heap of rags, in a nook which a dog would not even accept as kennel.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Paris…

Victor went up towards Montmartre, whilst Salvat hesitated like a man who is consulting destiny. Then, as if trusting himself to stern chance, drawing up his thin figure, the figure of a weary, hungry toiler, he turned into the Rue Marcadet, and walked towards Paris, his tool-bag still under his arm.
For an instant Pierre felt a desire to run and call to him that his little girl wished him to go back again. But the same feeling of uneasiness as before came over the priest—a commingling of discretion and fear, a covert conviction that nothing could stay destiny.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Paris…

Laveuve dead?"
"Yes, I found him dead—ah! amidst what frightful wretchedness, like an old animal that has laid itself down for the finish on a heap of rags in the depths of a hole. No neighbours had assisted him in his last moments; he had simply turned himself towards the wall. And ah! how bare and cold and deserted it was! And what a pang for a poor creature to go off like that without a word, a caress. Ah! my heart bounded within me and it is still bleeding!"
Pierre in his utter amazement at first made but a gesture of revolt against imbecile social cruelty.
Source: Gutenberg

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