Camille Saint-Saëns,
Musical Memories
(1919)
“ If the Tales of Hoffman shows traces of a practised pen, it is because Guiraud finished the score and went out of his way to remedy some of the author’s mistakes. Leaving aside the bad prosody and the minor defects in taste, we have left a work which shows a wealth of invention, melody, and sparkling fancy comparable to Grétry’s. Grétry was no more a great musician than Offenbach, for he also wrote badly. The essential difference between the two was the care, not only in his prosody but also in his declamation, which Grétry tried to reproduce musically with all possible exactness. ”
