Bernard Le Bouyer de Marmontel

Definition and stakes

Portrait of George Saintsbury George Saintsbury A history of criticism and literary taste in Europe from the earliest texts to the present day… (1902)

To comment on this would only spoil it; but let it be observed that Marmontel does admit the excellence of English poetry. So also, though he never swerves, in consciousness or conscience, from neo-classic orthodoxy, he insinuates certain doubts about Boileau, and quotes, [695] at full length, two pieces of the despised Ronsard as showing lyrical qualities in which the legislator of Parnassus is wanting.
Source: Gutenberg

Edmund William Gosse 1911 Encyclopædia Britannica, Volume 27… (1911)

Boileau threw scorn upon the delicate art of these pieces, and mocked the memory of Clément Marot because he “ tourna des triolets,” but Marmontel recognized the neatness and charm of the form. They continued to be written in France, but not by poets of much pretension, until the middle of the 19th century, when there was a great revival of their use.
Source: Wikisource

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