Georges Eekhoud,
The New Carthage
(1917)
“ Gina had been forced to put up with her husband's cynical confidences. The infamy of the private and public life of the people of her world had been revealed to her by this aspirant. And, suddenly, she had seen clearly through this society, so brilliant from the outside; she understood Bergmans' intransigeance, she loved him for it so deeply that she, the proud Gina, espoused the cause of this revolutionary, or, as her husband termed him, this king of the wastrels, in the very depth of her heart. ”
