Summary

Portrait of Stendhal Stendhal The Charterhouse of Parma (1839)

Will you then remember this name—Fabrizio del Dongo?’ Has she forgotten it? She was so young!
“But now I think of it,” said Fabrizio in astonishment, and breaking off the thread of his thoughts, “I am forgetting to be angry! Can it be that I possess a mighty courage, like that of which the ancients gave a few instances to the world? Am I a hero, with no suspicion of the fact? What! I, who dreaded prison so bitterly, here am I in a dungeon, and I can not remember to be sad! How true it is that the dread of the evil is a hundred times worse than the evil itself!
Source: Gutenberg

Portrait of Stendhal Stendhal The Charterhouse of Parma (1839)

A woman of forty is nothing to any man, except those who have loved her in her youth. The only joys left to me now are those of vanity. And do they make life worth living? That’s another reason for going to Parma and amusing myself. If certain things happened, I should be put to death; well, what matter? I will die nobly, and just before the end, but not till then, I will tell Fabrizio, ‘Ungrateful boy, it was for you I did it!’... Yes, Parma is the only place where I can find occupation for what little life remains to me.
Source: Gutenberg

Portrait of Stendhal Stendhal The Charterhouse of Parma (1839)

To-morrow may be the fatal day.... Under such monsters as those who govern us, what is there in the world that is not possible? How soft, how nobly calm, are those eyes, doomed, perhaps, soon to close forever! Heavens, what anguish the duchess must be enduring!... And, indeed, every one says she is in despair.... If it were I, I would go, like the heroic Charlotte Corday, and stab the prince.”
During the whole of his third day in prison, Fabrizio was beside himself with rage, simply and solely because Clelia had not returned.
Source: Gutenberg

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