Summary

Portrait of Stendhal Stendhal The Red and the Black: A Chronicle of 1830

Julien had never seen a human being so well-dressed, and above all he had never seen a woman with so dazzling a complexion speak to him at all softly. Madame de Rênal observed the big tears which had lingered on the cheeks of the young peasant, those cheeks which had been so pale and were now so pink. Soon she began to laugh with all the mad gaiety of a young girl, she made fun of herself, and was unable to realise the extent of her happiness. So this was that tutor whom she had imagined a dirty, badly dressed priest, who was coming to scold and flog her children.
Source: Gutenberg

Portrait of Stendhal Stendhal The Red and the Black: A Chronicle of 1830

Mathilde struck him as adorable. All words are weak to express his excessive admiration. As he walked beside her he looked surreptitiously at her hands, her arms, her queenly bearing. He was so completely overcome by love and unhappiness as to be on the point of falling at her feet and crying “pity.”
“Yes, and that person who is so beautiful, who is so superior to everything and who loved me once, will doubtless soon love M. de Caylus.”
Julien could have no doubts of mademoiselle de la Mole’s sincerity, the accent of truth was only too palpable in everything she said.
Source: Gutenberg

Portrait of Stendhal Stendhal The Red and the Black: A Chronicle of 1830

She was too happy to be able to see anything wrong in anything. Naïve and innocent as she was, this worthy provincial woman had never tortured her soul in her endeavours to extract from it a little sensibility to some new shade of sentiment or unhappiness. Entirely absorbed as she had been before Julien’s arrival with that mass of work which falls to the lot of a good mistress of a household away from Paris, Madame de Rênal thought of passion in the same way in which we think of a lottery: a certain deception, a happiness sought after by fools.
Source: Gutenberg

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