Summary

Portrait of Guy de Maupassant Guy de Maupassant The works of Guy de Maupassant…

She suddenly drew back the covering from the child she had not yet seen, that she might look at her son's daughter; as the light fell on its face the little creature opened its blue eyes, and moved its lips, and then Jeanne hugged it closely to her, and, raising it in her arms, began to cover it with passionate kisses.
"Come, come, Madame Jeanne, have done," said Rosalie, in sharp, though good-tempered tones; "you'll make the child cry."
Then she added, as if in reply to her own thoughts:
"After all, life is never so jolly or so miserable as people seem to think."
Source: Gutenberg

Portrait of Guy de Maupassant Guy de Maupassant The works of Guy de Maupassant…

Everyone stayed at home like the winter before, but Jeanne's thoughts were too full of Paul for her ever to feel dull. She would hold him in her arms covering him with those passionate kisses which mothers lavish on their children, then offering the baby's face to his father:
"Why don't you kiss him?" she would say. "You hardly seem to love him."
Julien would just touch the infant's smooth forehead with his lips, holding his body as far away as possible, as if he were afraid of the little hands touching him in their aimless movements.
Source: Gutenberg

Portrait of Guy de Maupassant Guy de Maupassant The works of Guy de Maupassant…

Jeanne would sometimes find herself dreaming as she used to do before she was married. She would gradually stop working, and with her hands lying idle in her lap and her eyes fixed on space, she built castles in the air as if she were a young girl again. But the voice of Julien, giving an order to old Simon, would call her back to the realities of life, and she would take up her work, thinking, "Ah, that is all over and done with now," and a tear would fall on her fingers as they pushed the needle through the stuff.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature