Summary

Portrait of Stendhal Stendhal The Chartreuse of Parma

Will you then remember this name—Fabrizio del Dongo?’ Has she forgotten it? She was so young!
“But now I think of it,” said Fabrizio in astonishment, and breaking off the thread of his thoughts, “I am forgetting to be angry! Can it be that I possess a mighty courage, like that of which the ancients gave a few instances to the world? Am I a hero, with no suspicion of the fact? What! I, who dreaded prison so bitterly, here am I in a dungeon, and I can not remember to be sad! How true it is that the dread of the evil is a hundred times worse than the evil itself!
Source: Gutenberg

Portrait of Stendhal Stendhal The Chartreuse of Parma

A woman of forty is nothing to any man, except those who have loved her in her youth. The only joys left to me now are those of vanity. And do they make life worth living? That’s another reason for going to Parma and amusing myself. If certain things happened, I should be put to death; well, what matter? I will die nobly, and just before the end, but not till then, I will tell Fabrizio, ‘Ungrateful boy, it was for you I did it!’... Yes, Parma is the only place where I can find occupation for what little life remains to me.
Source: Gutenberg

Portrait of Stendhal Stendhal The Chartreuse of Parma

The feelings of the poor marchesa, when she beheld this arm-chair, which had been set immediately opposite the pulpit, may easily be imagined. Shrinking, with downcast eyes, into the corner of the huge chair, Clelia, in her confusion, had not even courage to look at Annetta Marini, whom Gonzo pointed out to her with a coolness which perfectly astounded her. In the eyes of the true courtier, people who are not of noble birth have no existence at all.
Fabrizio appeared in the pulpit. So pale and thin was he, so devoured with grief, that the tears instantly welled up in Clelia’s eyes.
Source: Gutenberg

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