Fabrizio

Definition and stakes

Portrait of Stendhal Stendhal,  The Charterhouse of Parma (1839)

“ The count looked at Fabrizio. Never had that handsome Lombard countenance seemed to him so simple [151] and so noble. Fabrizio was paying much more attention than the duchess to the difficulties he was relating.
“Really,” said he to himself, “that face combines extreme kind-heartedness with a certain expression of tender and artless delight which is quite irresistible. It seems to say, ‘The only serious matters in this world are love and the happiness it brings.’ And yet if any detail which demands intelligence occurs, his eye kindles, and one is quite astonished and amazed.
”
Source: Gutenberg

Portrait of Stendhal Stendhal,  The Charterhouse of Parma, Volume 1

“ The Duchessa is always right in wishing what she has wished. Her persistency, that strong quality of her imperious character, imparts an element of terror to all the scenes of this fertile drama.
Nothing could be more clever than the initiation of Fabrizio into his future destiny. The lovers display to Fabrizio the chances of his life. Fabrizio, a boy of astonishing intelligence, grasps everything at once and has a vision of the tiara. The Conte does not pretend to make a priest of him of the sort one sees everywhere in Italy.
”
Source: Gutenberg

Portrait of Stendhal Stendhal,  The Charterhouse of Parma, Volume 1

“ But there was a spectacle which spoke with a more living voice to Fabrizio's soul: from the campanile his gaze shot down to the two branches of the lake, at a distance of several leagues, and this sublime view soon made him forget all the others; it awakened in him the most lofty sentiments. All the memories of his childhood came crowding to besiege his mind; and this day which he spent imprisoned in a belfry was perhaps one of the happiest days of his life.
Happiness carried him to an exaltation of mind quite foreign to his nature
”
Source: Gutenberg

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