Summary

Portrait of Josiah Royce Josiah Royce The World and the Individual, First Series (1899)

Now to be, in the final sense, means to be just such a life, complete, present to experience, and conclusive of the search for perfection which every finite idea in its own measure undertakes whenever it seeks for any object. We may therefore lay aside altogether our ifs and thens, our validity and our other such terms, when we speak of this final concept of Being. What is, is for us no longer a mere Form, but a Life; and in our world of what was before mere truth the light of individuality and of will have finally begun to shine. The sun of true Being has arisen before our eyes.
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Portrait of Josiah Royce Josiah Royce The World and the Individual, First Series (1899)

For the longing and the misery of finitude that in my present form of human consciousness now so frequently bound the horizon of my darkened instants of fragmentary experience — this longing and misery, when they beset me, I say, involve that very search for Another, that very dissatisfaction with the abstractness and dreary generality of my present ideas, which I express in my own way whenever, out of the depths, I cry after Reality. People often object to Schopenhauer’s view of the world as the will, that that doctrine, as Schopenhauer frequently expresses it, is a mere Animism.
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Portrait of Josiah Royce Josiah Royce The World and the Individual, First Series (1899)

How this can be, is precisely our present problem. The mathematician, in his own exact way, is thus like Browning’s lover. His instant is an eternity. He sees in a transient moment. Every one of his glimpses of fact is like the flash of the moonlight on the water. Yet what he sees outlasts the ages of ages. But nothing in all this eternal validity of his outcome makes him less empirical in his actual scrutiny. The validity is to be eternal. But his form of his experience is precisely that of any other human creature of the instant’s flight.
Source: Wikisource

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