Sir Alfred C. Lyall

“ It wages war against Romance, which subsists upon idealistic conceptions of noble thought and action; it pretends to hold up a true mirror to society, because it reflects faithfully and without discrimination, like a photograph, the street, the club, or the drawing-room, and arranges dramatically the commonplace talk of everyday people. All this is fatal to high art, in writing as in painting; nor can very clever dialogue, ingenious situations, variety of style and subject, or even a high average morality, preserve such literature from triviality and gradual degradation. ”

“ If we accept the theory that art, like nature, follows the principle of continuous development, that its existing state is closely linked with its past, it is not easy to affiliate Mr. Swinburne to any direct literary predecessors. Undoubtedly we may assign to him poetical kinship with Shelley; he has the same love for classical myths and allegories, for the embodiment of nature in the beautiful figures of the antique. Light and shade, a quiet landscape, a tumultuous storm, stir him with the same sensuous emotion. He has Shelley's passion for the sea ”

“ Probably the most favourable circumstance for a poet is that he should only be known, like the Divinity of Nature, from his works; or at least that, like Wordsworth, he should keep the noiseless tenor of his way down some secluded vale of life, whereby his poems stand out in clear relief like fine paintings on a plain wall. Is there any modern English poet of the first class, except Byron, whose entire prose writings and biography are bound up in standard editions with his poetry? ”

“ On the whole, we may believe that the main direction is certainly toward the gradual betterment of the world at large, though the theory of progress is quite modern, for the ancients looked behind them for the Golden Age. Nowadays we trumpet the glory of our British empire; yet at intervals our confidence in its fortunes is shaken by some sharp panic; the decline and fall of England is predicted. It is, indeed, perilous to be overconfident, to live in a fool's paradise, for some of us have seen in our lifetime the sudden catastrophes that have overtaken great empires. ”

“ On the other hand, we have the well-knit strenuous verse of extreme realism, wrought out by a poet in his shirt-sleeves, with rhymes clear-sounding like the tap of hammer on anvil, who sings of rough folk by sea and land, and can touch national emotion in regard to the incidents or politics of the moment. He paints without varnish, in hard outline, avoiding metaphor and ornamental diction generally; taking his language so freely out of the mouths of men in actual life that he makes occasional slips into vulgarity. ”

“ And I presume that all of you read history for a clear understanding of past ages, of the acts and thoughts of the great men who illustrate those times. You all desire to comprehend the sequence and significance of events. You feel the intellectual pleasure of appreciating rightly the character and motive of the men and women who stand in the foreground of our country's annals, and also of those who are famous in other countries, to know how and why they rose or fell, whether they deserved the success that they won, or won it without deserving it. ”

“ But of Shakespeare no letter has come down to us; and of Dante not even, we believe, his signature; though we do know something of what Dante did and thought, for his religion and his politics are manifested in his poems; whereas Shakespeare's works have the divine attribute of impersonality. Here is one supreme poet of whom the world would gladly hear anything; but nothing remains to feed the modern appetite, which is never so well gratified as when a rare and sublime genius stands revealed as the writer of ordinary letters upon petty domesticities. ”

“ They care little whether the details accord with natural fact—whether, for instance, the account of a fight is incredible to any one who knows what a battle really is; the heroes are chivalrous knight-errants, noble, pious, devoted to their lady loves; but they are not hard-headed, hard-fisted men like Ulysses, David, or some old Icelandic sea-rover. The true heroic spirit shoots up occasionally, nevertheless the prevailing idea of the romance-writer is to tell a wondrous tale of love and adventure, in which he lets his fancy run riot, rather enjoying than avoiding magnificent improbabilities. ”

“ The vivid impressions that are stamped on his mind by the power of style are what he mostly requires and retains; and these we are all reluctant to lose. We must concede to the writer, as to the painter, some indulgence of his imaginative faculty. Otherwise we must leave the battle scenes and the national portrait gallery to the poets and romancers of genius—to Shakespeare and Walter Scott, whose art had nothing to gain from accuracy, who have only to give us the types, the right colouring and strong outline of life and character in days bygone. ”

“ For the modern novelist, like the ancient myth-maker, is necessarily the child of his time; his work takes the bent of his personal temperament, and is moulded by the environment of ideas and circumstances within which he lives. The Myth, the Romance, the Historic Novel, each in its successive period, did at least this service to later generations: they preserved and handed down to us the popular impressions, the figures or pictures of great men and striking events, as they were reflected upon the imagination of subsequent ages. ”

“ But as the echo of thunderous battles by sea and land died away, this particular offshoot of modern romance ceased to flourish, and has never had any considerable revival. The tale-teller of adventure, like his ancestor the epic poet, requires a certain haziness of atmosphere; he must have elbow room for his inventive faculty; and he is liable to be stifled in the flood of lucid narrative and inflexible facts let loose upon recent events in our day by complete histories, personal memoirs, public documents, war correspondence, and all-pervading journalism. ”

“ Our governments are now no longer confined to the continent which we inhabit; we are acquiring immense possessions in Asia and Africa; we can survey the whole earth with its confusion of tongues; its multitude of beliefs and customs, its infinitely miscellaneous populations. We must recognise the variety of the human species; we must acknowledge that we cannot impose a uniform type of civilisation, just as we admit that a uniform faith is beyond mere human efforts to impose, and that to attempt it would be politically disastrous. ”

“ And when we hear at the present day of misrule and strife and bloodshed among other races—in Asia, for example—we may remember our own story, and we may trust that they also will work their way upward to peace and concord.
But the truth is that, as our knowledge of the past is very imperfect, so also our predictions of the future are very fallible. The best observers can see only a very short way ahead. History shows us how frequently the course of affairs has taken quite unexpected turns, for good or for ill, forward or backward. ”

“ But correspondence that was never meant for publication is hardly a fair subject for literary criticism. Arnold seems to have written hurriedly, in the intervals of hard work, of journeyings to and fro upon his rounds of inspection, and of much social bustle; he had not the natural gift of letter-writing, and he probably did it more as a duty than a pleasure. He had none of the ever-smouldering irritability which compelled Carlyle to slash right and left of him at the people whom he met, at everything that he disliked, and every one whom he despised. ”

“ The eighteenth century was always Thackeray's favourite period; he liked the rational, unpretentious tone of its best literature, its practical politics and tolerance, its common sense, and its habit of keeping very close, in art as in action, to the realities of the world as we find it. Swift is the most unromantic of any writer that possessed great imaginative faculty; Defoe was a master of minute life-like detail, an inimitable imitator of truth ”

“ The comparison between Byron in England and Chateaubriand in France must have been often drawn. The similarity in their style, their moody, melancholy outlook upon common humanity, their aristocratic temper, their self-consciousness, their influence upon the literature of the two countries, the enthusiasm that they excited among the ardent spirits of the generation that reached manhood immediately after them, and the vain attempts of the elder critics to resist their popularity and deny their genius—form a remarkable parallel in literary history. ”

“ Now I believe that the question, whether history is an art or a science, is not yet universally settled. But whatever may be the case in these modern days, I submit that in earlier times, and certainly when history began to be written, it was mainly an art. Indeed, it could hardly have been otherwise. In all ages and countries, from the time when men first attained to some stage of elementary culture, they have been curious about the past, they have enjoyed hearing of the deeds and fame of their ancestors, of far-off things and battles long ago. ”

“ A dynasty that can rely on the support of an organised religion, and stands forth as the champion of a dominant faith, has a powerful political power at its command. The Turkish empire, weak, ill-governed, repeatedly threatened with dismemberment, embarrassed internally by the conflict of races, has been preserved for the last hundred years by its incorporation with the faith of Islam, by the Sultan's claim to the Caliphate. To attack it is to assault a religious citadel; it is the bulwark on the west of Mohammedan Asia, as Afghanistan is the frontier fortress of Islam on the east. ”

“ Moreover, for us English folk, who live at the centre of an empire containing races and communities in various stages of political development, the lessons of history have a special value. They teach us to judge leniently of acts and opinions that appear to us irrational and even iniquitous as we see them in other backward countries at the present day. We learn that manners and morals may not be unchangeable in a nation; that fallacies and prejudices are not ineradicable; that even cruelty, tyranny, reckless bloodshed, are not incurable vices. ”

“ So that, to the politician of to-day, history ought to be an invaluable guide and monitor for taking an impartial measure of the difficulties of government in troubled or perilous circumstances. Yet one sometimes wishes that the record of the fierce and bitter struggles of former days had been forgotten, for it still breeds rancour and resentment among the descendants of the people that fought for lost causes, and suffered the penalty of defeat. The remembrance keeps alive grievances, and the ancient tale of wrongs that have long been remedied survives to perpetuate national antipathies. ”

“ His delight is in the virile qualities of the earlier civilisations, the patriotism, the heroic temper, the ardour for civic liberties, the Hellenic delight in noble form and in physical beauty. He is fretted by the restraint which Christian authority imposes upon the unruly affections of sinful men; he scorns the terrors of judgment to come, the prostration of the multitude before the threat of eternal punishment, and the promise of celestial recompense for terrestrial misery. Death is the 'sleep eternal in an eternal night'; and the one thing as certain as death is pleasure. ”

“ That a signal success in literature is nearly always achieved, not by following the beaten road, but by a bold departure from it, is a principle that could be abundantly established by examples, and which seems almost a truism when it is stated. Vanity Fair was decidedly a work of great freshness and originality; but publishers are circumspect and rarely adventurous, they distrust novelties and prefer to follow the prevailing fashion as far as it will go, wherein we may discern one reason why the accouchement of the first literary child is usually so laborious. ”

“ On the other hand, the famous characters who stand in the foremost line of history, and who were the delight and ornament of the elder romances, must now be struck out of the repertory of the modern story-teller, since the public now will no longer tolerate ancient or mediæval heroes, while the great men of recent times have been too often photographed. The only novelist of our own day who has attempted with some success to draw thinly-veiled portraits of contemporary celebrities is Disraeli, and his whole style and treatment show him to be a true-bred descendant of the old romantic stock. ”

“ Race and religion are, in fact, more profoundly intermixed in India than perhaps in any other country of the world; and into such an intricate subject I cannot now enter. My present point is that in India we are governing an empire of the antique pattern, quite different from the western nationalities, a country where complexities of race and creed meet us at every turn in the course of our administration; an empire which, as Mr. Bryce has pointed out in a recent essay that is full of light and knowledge, has many striking resemblances with the dominion of Imperial Rome. ”

“ In Charlotte Brontë, again, we have Naturalism throwing out a fresh shoot of great vigour and originality; the old-fashioned masculine hero is supplanted by a heroine who strives against adverse circumstance upon an ordinary, often an humble, plane of society, never travelling for a moment beyond the possibilities of everyday existence. This ominous dismissal of the male hero from his previous position in the centre of the story's movement may be taken as a sign that he is not of so much account in the sphere of domestic fiction as he was erst in the arena of perilous adventure. ”

“ There has evidently been a fore-time, though it is prehistorical, when, so far as we know, mankind was universally polytheistic; when innumerable rites and worships prevailed without restraint, springing up and contending with each other like the trees in a primeval forest, reflecting a primitive and precarious condition of human society. I take polytheism to have been, in this earliest stage, the wild growth of superstitious imagination, varied indefinitely by the pressure of circumstance, by accident, by popular caprice, or by the good or evil fortunes of the community. ”

“ As we have said that Vanity Fair touches the climax of Thackeray's peculiar genius, so in our judgment Esmond shows the gathered strength and maturity of his literary power, and has won for him an eminent place in the distinguished order of historical novelists. We may say that the art of historical romance was brought to perfection in our own century, although French writers trace far back into the eighteenth century, and even further, the method of weaving authentic events and famous personages into the tissue of a story which turns upon fictitious adventures in love and war. ”

“ The four great religions now prevailing in the world, which are historical in the sense that they have been long known to history, I take to be—Christianity, Islam, Buddhism, and Hinduism. Having regard to their origin and derivation, to their history and character, I may be permitted, for my present purpose only, to class the two former as the Religions of the West, and the two latter as the Religions of the East. These are the faiths which still maintain a mighty influence over the minds of mankind. ”

“ Already it is beginning to be said in France that Zola with his laborious particularism has passed his climacteric of fashion, and that the swift impressionist is sailing in on a fair wind of spreading popularity. Now in France, though no longer in England, the critics still do their duty; they are not merely, to borrow a phrase from Coleridge, the eunuchs who guard the temple of the Muses; they are often prolific authors who exercise great influence upon public opinion, so that their forecast of the course and tendencies of fiction is worth bearing in mind. ”