Summary

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XVI. THE GOLDEN CAT (1920)

I felt that my imagination was adding horrors to those which already actually existed, so that I should presently find myself unable to distinguish the real from the imaginary.
At the end of half an hour's steady tramping I saw before me a place where a wood dipped down to the wayside so that its trees cast a broad shadow across the path. I knew that the entrance to the farm lay just beyond; and, pressing on past the trees, I saw many outbuildings having none of that deserted appearance which characterized the neighboring homesteads of Upper Crossleys.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XVI. THE GOLDEN CAT (1920)

I said, with Machiavellian cunning, "I don't expect you to remember the name of every girl who has loved you, but this is an unusual present to receive even from an infatuated woman."
"It's an extraordinary thing, isn't it?" repeated Edward Hines, full of self-esteem. "I can't make out the women at all; they're always giving me presents. Look at that picture-frame. I got that from a girl I had only seen three times—and it's solid silver," he added.
I glanced at the memento indicated, and observed that it contained a photograph of Mr. Hines (without the sticking-plaster) .
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XVI. THE GOLDEN CAT (1920)

I shall not give you another opportunity of choosing. I will repeat my remark: you have in your possession a certain gold amulet in the form, I believe, of a cat."
He was choking and muttering and glaring at me as I spoke, but I stared at him coolly, and finally he resumed his seat and reached out one hand towards a chest-of-drawers which stood beside his chair. Pulling one of the drawers open, he took out a little gold figure of Bâst, and holding it towards me:
"Is this the thing you mean?" he jerked uncivilly.
"It is," I replied; "allow me to examine it."
Source: Wikisource

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