Figurine

“ We had a great dispute about the propriety of adopting the costume of the day in modern sculpture, and I contended that either the art ought to be given up (which possibly would be the best course) , or else should be used for idealizing the man of the day to himself; and that, as Nature makes us sensible of the fact when men and women are graceful, beautiful, and noble, through whatever costume they wear, so it ought to be the test of the sculptor's genius that he should do the same. ”

“ When we come to get a little familiar with old miniatures, to have learned their language, as it were, we shall find that, if they are authentic portraits, they possess, in addition to their high personal interest, other and distinct values as illustrations of art, of history, and of costume. They are, in fact, when genuine and contemporary, precious documents, some of which go back several centuries, and are of great service in reading the history of the past. ”

“ It is not so much in the statue itself that the beauty lies, but in the wonderfully natural arrangement of the robe which flows behind in billowy folds, until one touches it and marvels that it is really marble and not heavy satin. ”

“ Equally worthy of notice is the manner in which many monumental effigies, particularly those of comparatively early date, are found to have assumed an aspect neither living nor lifeless, and yet impressively life-like. The sound judgment also, and the good taste of those early sculptors, were signally exemplified in their excluding, almost without exception, the more extravagant fashions in the costume of their era from their monumental sculpture, and introducing only the simpler but not less characteristic styles of dress and appointments. ”

“ But, it seemed to me a good work of art,—a recumbent figure of white marble, on a couch, the drapery of which he has drawn about him,—being quite enveloped in what may be a shroud. The sculptor has not intended to represent death, for the figure lies on its side, and has a book in its hand, and the face is lifelike, and looks full of expression,—a thin, high-featured, poetic face, with a finely proportioned head and abundant hair. ”

“ In a picture of the first order such details, of importance in themselves, sink into insignificance beside the splendid qualities of a work of art: in less important pictures the ornamental accessories are all in all. It would be of great value to students if all public collections that possess costumes and ornaments could bring together—as has been done with marked success in the Germanic Museum at Nuremberg—series of portraits specially chosen to illustrate these details, such portraits, like the actual articles of dress {350}and jewellery, being, of course, old ones, not modern copies. ”

“ But who that can appreciate the sublime in art will fail to bow down before it as embodied in this wonderful statue? The majestic character of the head, the prodigious muscles of the chest and arms, and the beard that flows like a torrent to the waist, represent a being of more than mortal port and power, speaking with the authority, and frowning with the sanctions of incarnate law. The drapery of the lower part of the figure is inferior to the anatomy of the upper part. ”

“ The short tunic worn by the other figures is a picturesque costume, and the mantle swinging over one shoulder is very graceful. When one contrasts with these classical draperies the stiff dress of modern times, one wonders that the sculptor of to-day does not throw down his chisel in despair. ”

“ Any sculptor, seeking to figure this Republic in stone, must carve, in future, a young man in shirt-sleeves, open-faced, pleasant, and rather vulgar, straw hat on the back of his head, his trousers full and sloppy, his coat over his arm. ”

“ The elaborate uncouthness of ancient sculpture is not, indeed, very beautiful; yet I have often fancied there was something more simply pathetic in the aukward effigy of an hero kneeling amidst his trophies, or a regal pair with their supplicating hands and surrounding offspring, than in the graceful figures and poetic allegories of the modern artist. ”

“ The earthen jar sits upon her head with the grace of a golden coronet—every attitude is the pose of a statue, a study for a sculptor; and the coarse garment that drapes that form is in your eyes more becoming than a robe of richest velvet. ”

“ In considering these first mere attributes and all such external accessories, the kind of ornament, armour, tools, vessels, and in general all that is associated with mere environment, we find that such things are of a very simple character in superior works of sculpture, and retained only in a temperate and restricted degree, so that we see little of them beyond what is suggestive or sufficient to appeal to our minds. It is the independent figure, that is its expression and not outside accessories, which has to give us the spiritual significance and its manifestation. ”

“ Figures of the noblest sculpture; busts of historical interest; alto and basso relievos of antique elegance; marbles, alabasters, spars, and lavers of all colours, and in all forms; pictures glowing into life, and statues appearing to command their beholders;—all that, at another period, would have made her forget every thing but themselves, now vainly solicited a moment of her attention. ”

“ Wonderful weaver, magic hands, infinite pains, were those to produce such an effect on our sated modern vision, all with a few threads of silk and wool and gold.
Then there is the human face—it takes an artist to describe the various faces with their beauty of modelling, their infinite variety of type, their subtlety of expression. You can almost see the flushing of the capillaries under the translucent skin, so fine are the mediums of silk and wool under the magic handling of the talented weavers in brilliant epochs. ”

“ Those monuments in which early costume is supposed to be represented are almost all of later date, when artists, whether sculptors or painters, were not very exact in their delineations of costume, and even seemed to imagine that no other style could have existed before their time than the one with which they were daily familiar. ”

“ Among modern portrait-statues I can remember few that make so sweet and serious an impression. In the composition of this figure one can trace unmistakably the effect of the sculptor’s close study of the antique, not only in the suppleness of movement and statuesqueness of pose, but also in the abstract appeal to one’s esthetic enjoyment that the composition of the figure yields. Moreover, this freedom, force and sensitiveness extend to the handling of the drapery, in which every fold has a grace of naturalness and also a value of expression. ”

“ We may here remark, since embossed ornaments and sculptured figures on any plain surface are essentially Emblems, the sculptor, the engraver, the statuary and the architect, indeed all workers in wood, metal, or stone, who embellish with device or symbol the simplicity of nature’s materials, are especially entitled to take rank in the fraternity of the Emblematists. ”

“ All the subjects are large, and within quatrefoils; as much of the body of our Lord as is uncovered on the Cross, and the heads, hands, and feet in the other figures, as well as those parts of the draperies not gold, are wrought by needle, while the golden garments of the personages are woven in the loom. ”

“ There have been some remarkable costumes designed, which have proclaimed every scientific invention, and others which have illustrated topical scenes and current events, involving much special preparation and printing, and invariably presenting some difficulty when the great question of head-dress had to be answered becomingly. ”

“ The statues are carved in wood, the faces coloured, and the dresses richly lacquered; as works of art they have great merit—the action of the heroes, each armed with his favourite weapon, being wonderfully life-like and spirited. ”

“ It is surprising how much character and even humour the artist gives to figures which are conceived in a purely calligraphic and abstract manner, and what richness and nobility of style there is in the singularly economical and rapid indications of brocaded patterns in the robes. Here we see how, in the hands of the miniaturists, the half-palmette ornament becomes even more cursive and flexible, more readily adapted to any required space than in the hands of the wood-carver and plasterer. ”

“ Figure and ornament, therefore, are not interchangeable terms; the loftiest figurative style most conforms to the precepts of gravity and chastity. None the less there is a decorative use of figure, whereby a theme is enriched with imaginations and memories that are foreign to the main purpose. Under this head may be classed most of those allusions to the world’s literature, especially to classical and Scriptural lore, which have played so considerable, yet on the whole so idle, a part in modern poetry. It is here that an inordinate love of decoration finds its opportunity and its snare. ”

“ Each little detail of costume, each fold of material, all the differences in texture—everything is given its own special character; everything is perceptible, tangible, so to speak. Science of draftsmanship, eloquence of line, could not possibly be carried farther. ”

“ This classically severe mode of head-dress gave to the profile of this imperious woman the character and resemblance of an antique statue. Many persons, mistaking their real cast of countenance, imagine some peculiar vocation delineated in their traits. Thus one man, who fancies he possesses a warlike air, assumes the warrior ”

“ As we cannot or at least ought not to make our statues naked or blanket-dressed, and as body and legs are merely given to a statue in order to support the head, for the legs and body might be any legs and any body, would it not be wise to be satisfied with the head only? ”

“ I never saw any thing at all resembling the statues of illustrious men we have at home, who are either habited in the classic toga, or the ungraceful clothes of the period, and who generally stand awkwardly enough, with one hand planted above the hip, and the other holding a sword, a roll of paper, a book, or some other thing to indicate the profession of the person represented. ”

“ Her first portrait work was in bronze, a full length figure. This was followed by a bust which is a fine example of the sculptor's skill. Then followed the spirited bronze called "Cowboy Fun." This group is vibrant with life. ”

“ Clothes, from the King's mantle downwards, are emblematic, not of want only, but of a manifold cunning Victory over Want. On the other hand, all Emblematic things are properly Clothes, thought-woven or hand-woven: must not the Imagination weave Garments, visible Bodies, wherein the else invisible creations and inspirations of our Reason are, like Spirits, revealed, and first become all-powerful;—the rather if, as we often see, the Hand too aid her, and (by wool Clothes or otherwise) reveal such even to the outward eye? ”

“ They are Flemings, and they stick to the earth. They copy the real with scrupulous accuracy, and all that is real - the ornaments of armor, the polished glass of a window, the scrolls of a carpet, the hairs of fur, [9] the undraped body of an Adam and an Eve, a canon's massive, wrinkled and obese features, a burgomaster's or soldier's broad shoulders, projecting chin and prominent nose, the spindling shanks of a hangman, the over large head and diminutive limbs of a child, the costumes and furniture of the age; their entire work being a glorification of this present life. ”

“ Their perfect little hands are locked with ineffable elegance; their blowing robes are tossed into folds of which each line is a study; their charming feet have the relief of the most delicate sculpture. ”

“ I said; "as a massive medallion, depending from a necklace. It certainly would light up the world more, on the bosom of a beautiful woman, than thrust away here, among your brushes and razors. But, to my sense, only a beauty of a certain type could properly wear it—a splendid, dusky beauty, with the brow of a Roman Empress, and the shoulders of an antique statue. ”

“ We thus find in written documents a particularity of costume described very distinctly at a period when it has not yet been met with in any artistical monuments; a circumstance not easily accounted for, but which should make us cautious in judging too hastily of the absolute non-existence of any thing from mere negative evidence. ”

“ It is impossible for the mere man to give a particular description of the silks, velvets, jewels, laces, ribbons and feathers which formed part of the equipment of a lady of quality, or to follow the mysteries of commodes, sacks, négligés, bedgowns and mob-caps. ”

“ We have said that there is a great scarcity of pictorial representations of the military costume of the thirteenth century, and of the few which exist the majority are so vague in their definition of details, that they add nothing to our knowledge of costume, and have so little of dramatic character, as to throw no light on manners and customs. ”

“ This costume—in point of opacity imperfectly superior to a gentle breeze—is not always discernible in the sculptures; but it is charitably believed that the pellucid garment, being merely painted over the figures, has been ravished away by the hand of Time—the wretch! ”

“ It was a noble gathering of the fairest and the swiftest, each bearing at the bow the carved emblem of her name, as in a gallery of plaster-casts, figures of women with mural crowns, women with flowing robes, with gold fillets on their hair or blue scarves round their waists, stretching out rounded arms as if to point the way; heads of men helmeted or bare ”

“ The sculptor need not go further than these nut-brown maids for classic forms; the rounded limbs, the generous bust, the symmetrical waist, which fashion has not made an hour-glass to mark the flight of time and health. ”