Summary

Portrait of Hippolyte Taine Hippolyte Taine Art in the Netherlands — Chapter I. (1874)

Here, as everywhere, art translates life; the talent and taste of the painter change at the same time and in the same sense as the habits and sentiments of the public. Just as each profound geological revolution brings with it its own fauna and flora, so does each great transformation of society and intellect bring with it its ideal figures. In this respect our galleries of art resemble museums, the imaginary creations they contain being, like living organisms, both the fruit and the index of their surroundings.
Source: Wikisource

Portrait of Hippolyte Taine Hippolyte Taine Art in the Netherlands — Chapter I. (1874)

A noble life, the laziness of the man who, to save his honor, lives on expedients, and sometimes fasts, has been the curse of Spain and Italy for the last two hundred years. On the other hand, in the same epoch, the Fleming, the Hollander, the Englishman and the German have gloried in providing themselves with all useful things; the instinctive repugnance which leads an ordinary man to shun trouble, the puerile vanity which leads the cultivated man to distinguish himself from the artizan, disappear alongside of their good sense and reason.
Source: Wikisource

Portrait of Hippolyte Taine Hippolyte Taine Art in the Netherlands — Chapter I. (1874)

Nature evidently is now discovered by them. The scales fall from their eyes; they have just mastered, almost in a flash, the proportions, the structure and the coloring of visible realities; and moreover, they delight in them. Consider the superb copes wrought in gold and decked with diamonds, the embroidered silks, the flowered and dazzling diadems with which they ornament their saints and divine personages, [7] all of which represents the pomp of the Burgundian court.
Source: Wikisource

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