Estelle M. Hurll

“ The coins of Demetrius were their guide, and the tiny figure of Nike engraved thereon was the model after which the great statue was reconstructed.
The head and arms are still missing, and a fanciful conceit might suggest that these losses were the marks of a hard-fought battle. Success has been dearly bought, but the goddess emerges, erect and undaunted, her tattered wings beating the air victoriously. As we look at the statue we think less of what it lacks than of what it is. ”

“ The figure is in striking contrast to the statue of Athena which we have studied. The virgin goddess is stately and unapproachable in her panoply of wisdom, but the great mother seems to invite our confidence. She is one to whom a frightened child might run, sure of being soothed. To her the sorrowing would turn, fearing no repulse. She would welcome, she would understand, she would comfort. There is strength and repose in every line of her majestic figure.
The statue illustrates admirably the grandeur and simplicity of the best Greek art. ”

“ As love ennobles the life and makes it unselfish, so, they reasoned, must Aphrodite be a grand and noble being. Again, as love glorifies the life, and brings joy into its commonest details, she must also be beautiful and laughter-loving. In short, one cannot think of any quality of love which was not reflected in the person of the glorious goddess. Temples were built in her honor, and she was worshiped in festivals and sacrificial rites. Statues of her were set up in many places, and one of the most famous which has come down to us is reproduced in our illustration. ”

“ With this instrument Apollo was so delighted that Hermes straightway presented it to him, to make some amends, as it were, for the injury done him. In return Apollo bestowed the caduceus, or wand, upon Hermes, and the two gods vowed eternal friendship.
The Greeks were very fond of their god Hermes. He was not too grand to be companionable, like the awe-inspiring Zeus or the haughty Apollo. They thought of him as a blithe, gentle being whose lighthearted ways and easy good nature made him a general favorite. It was an early custom to set up in his honor stone posts at the crossroads. ”

“ You will notice that a walker making his way against the wind bends the body forward to resist its force, while one who is borne along on some vehicle in the face of the wind steadies himself upright. So with Nike; the attitude expresses the sense of exhilaration from the rush of wind in the face of one borne along on a moving vessel. The breeze beats the thin drapery back upon her, outlining the beautiful curves of bust and limb, and fluttering behind her in the air. ”

“ As we turn from one Greek marble to another in the [Pg x] great sculpture galleries of the world, the best features of the art impress themselves deeply even upon the untutored eye. The Greek instinct for pose is unfailing and unsurpassable. Standing or seated, the attitude is always graceful, the lines are always fine. The best statues are equally well composed, viewed from any standpoint. The camera may describe a circumference about a marble as a centre, and a photograph made at any point in the circle will show lines of rhythm and beauty. ”

“ The subjects of their sculpture are nearly always happy ones. Even here, you see, grief is made so beautiful and dignified that we forget to feel sad about the parting. We think most of the love and devotion between Orpheus and Eurydice.
The simple story of the bas-relief touches us more readily perhaps than the grand statues of the gods. People like in art something which corresponds to the common human lives of all.
The garment worn by Eurydice seems quite like that of the goddess Demeter. The drapery is very full in front, falling in long straight folds. ”

“ Now, as might be expected, the character of Apollo was as pure and transparent as the sunlight itself. He required clean hands and pure hearts of those who worshiped him. As the sunlight shines into the dark places of the earth, driving the shadows away, so Apollo hated all that was dark and evil in human life. ”

“ Modern criticism differentiates sharply the characteristics of the several periods and even of the individual artists, but such subtleties are beyond the grasp of the unlearned. The majority of people continue to regard Greek sculpture in its entirety, as if it were the homogeneous product of a single age. To the popular imagination it is as if some gigantic machine turned out the Apollo Belvedere, the Venus of Milo, the Elgin Marbles, and all the rest, in a single day. ”

“ It is thus that the Iliad describes Hera, the wife of Zeus, now more often called by her Roman name Juno. The marriage union between the ruler of the gods and his queen represented the Greek ideal of perfect conjugal happiness. Hera was therefore the goddess who presided over human marriages, and was the type of matronly virtue and dignity. As the queen of heaven, she had it in her power to bestow great riches, honor, and influence upon her favorites. ”

“ Though it is broken and defaced, we catch at once the spirit of the work. The horses are splendid animals; with dilated nostrils, and necks proudly arched, they seem to prance to the music of the flutes. Though they are well matched in size and type, no two are really alike. Every one has as distinct a character as a human being, and lovers of horses might choose each his own favorite from the four. ”

“ The Faun originally stood in the street of the Tripods at Athens, but what has now become of it we do not know. The statue in our illustration is one of the most celebrated copies. Many travellers make a special pilgrimage to see it, and seeing it recall the words of Hawthorne, describing the spell it casts upon the spectator. "All the pleasantness of sylvan life, all the genial and happy characteristics of creatures that dwell in woods and fields, will seem to be mingled and kneaded into one substance, along with the kindred qualities in the human soul. ”

“ He stands in the attitude of a poet reciting his lines to an assembled audience.
The statue shows how sane was the Greek ideal of intellectual greatness. In those days genius did not mean eccentricity, but the rule of life was a sound mind in a sound body. It is a mistaken notion of our own times that bodily health must be sacrificed to the training of the brain. ”

“ A distinguishing characteristic of the best Greek sculpture is its simplicity. Compared with the Gothic sculptors, the Greeks appear to us, in Ruskin's phrase, as the "masters of all that was grand, simple, wise and tenderly human, opposed to the pettiness of the toys of the rest of mankind." Their work is free from that "vain and mean decoration"—the "weak and monstrous error"—which disfigures the art of other peoples. ”

“ The original statue, of which the marble of the Capitol is a copy, was the work of the sculptor Praxiteles. As Hawthorne says: "Only a sculptor of the finest imagination, the most delicate taste, the sweetest feeling, and the rarest artistic skill—in a word, a sculptor and a poet too—could have ... succeeded in imprisoning the sportive and frisky thing in marble." We are presently to see again in the head of Hermes that Praxiteles was indeed a remarkable sculptor. ”

“ But on the tenth day she met the old witch Hecate, who had heard Persephone scream when she was carried away. Together the two sought Apollo, who sees all the doings of gods and men, and he told them the whole story. "Then a more terrible grief took possession of Demeter, and ... she forsook the assembly of the gods and abode among men for a long time, veiling her beauty under a worn countenance so that none who looked upon her knew her." She declared that the earth should not again bring forth fruit till she had seen her daughter. ”

“ Our statue shows as many as possible of the attributes of the goddess. The figure is tall and stately and magnificently developed. The Greek ideal of beauty was to let nature have its way in the human body, unhindered by any such restraints of clothing as our modern fashions have invented. The broad shoulders and ample waist bespeak the splendid strength of the goddess. ”

“ They are handsome youths, with the perfectly formed head and finely cut profile which we learn to recognize as the Greek ideal of beauty. The line across forehead and nose is perfectly straight, and the line connecting nose and chin forms a corresponding angle. Both faces bear the stamp of refinement and high breeding which mark them as belonging to the class of Athenian nobles. [Pg 18]
Though the two youths have so similar a cast of countenance, they are quite unlike in temperament. The farther one is of a somewhat dreamy, poetic nature. He rides with bent head as if in a reverie. ”

“ Greek sculpture can be sympathetically understood only by catching something of the spirit which produced it. One must shake off the centuries and regard life with the childlike simplicity of the young world: one must give imagination free rein. The same attitude of mind which can enjoy Greek mythology and Greek literature is the proper attitude for the enjoyment of Greek sculpture. The best interpreter of a nation's art is the nation's poetry. ”

“ By Greek tradition the fairest of the goddesses was Aphrodite, the goddess of love and beauty. To her every lover paid his vows and every maiden prayed for charms. An old legend relates that she was born from the foam of the sea, hence the name Aphrodite, which means "foam-born." Among the Romans she was called Venus. At her birth the island of Cyprus received her. ”

“ By common consent a certain type of countenance was accepted as the most fitting expression of this ideal. At last a great artist named Phidias produced a statue which perfectly carried out all the ideas at which other sculptors had aimed. It was of colossal size, made of gold and ivory, and was set up in a temple of Olympia. From this time forth every sculptor who had to represent Zeus had only to repeat the design of Phidias.
Now we know that the farther an imitator gets from the original standard, the weaker is his copy. ”

“ Now the Greeks were fond of commemorating notable events by the erection of statues, and it was an old custom among them to set up a statue of victory in honor of any success of arms on land or sea. We have seen how natural it was for them to attribute the affairs of life to the agency of the [Pg 86] deities. So in war, greatly as they praised their armies and their generals, it was to Nike, the goddess of victory, that they gave the chief credit of success. This goddess was conceived as a winged being attendant upon both Zeus and Athena, who, as we have seen, controlled the destinies of war. ”

“ We have seen that in Greek sculpture the artist was not always left to represent the divinities according to his own imagination. For each one a certain fixed type had been gradually thought out in very early times, and this type was handed down from generation to generation. A statue or bust could always be recognized without any title. No one, for instance, could ever mistake Zeus for Apollo, or confuse Hera and Athena. ”

“ Sunrise and sunset, seedtime and harvest, life, death, and the hereafter are some of the mysteries which have always puzzled the human mind. The primitive races, knowing nothing of science, looked upon the forces of nature as gigantic personalities, or gods, who controlled human destiny. ”

“ The small ear is as delicately cut as a woman's. The fine athletic figure is such as any warrior might covet; muscular and supple, it is full of power even in repose. The attitude of easy grace displays its best points to advantage.
Sitting on the ground in front of the god is the figure of a mischievous baby boy. This is the little god Eros, who in Greek mythology was supposed to be the inspirer of love. The artist meant to suggest that the subject of Ares' meditations might be some affair of the heart. ”

“ The part of Pericles' career which interests us most in our study of Greek art is his zeal in beautifying Athens with works of architecture and sculpture. He covered the Acropolis, as the great hill in Athens was called, with beautiful buildings richly adorned with sculpture. He appointed Phidias superintendent of all the public edifices, and employed the most skilled workmen. Besides many temples, a theatre for music, called an odeum, was built, and Pericles introduced into the Panathenaic festival a contest in music held in this place. ”

“ It is not hard to believe the tale of his one hundred and twenty-three dramas: such a man would fill his life with activity. The face has, too, the expression of genial kindliness which made the great poet so beloved of his fellow men. ”

“ Hera was less intellectual than Athena, and had perhaps more distinctly feminine charms. The mouth has less strength and firmness, the expression more mildness. Her beauty is naturally of a more matronly type than that of the virgin goddess. The crown which she wears belongs as distinctly to her as does the helmet to Athena.
A careful examination of the face suggests that it may have been studied from actual life. If, as some critics believe, the bust was made in Rome by some Greek sojourning there after the conquest of his own nation, a noble Roman matron may have been the model. ”

“ The short tunic worn by the other figures is a picturesque costume, and the mantle swinging over one shoulder is very graceful. When one contrasts with these classical draperies the stiff dress of modern times, one wonders that the sculptor of to-day does not throw down his chisel in despair. ”