Joseph Conrad

Joseph Conrad

Summary

Portrait of Joseph Conrad Joseph Conrad The Mirror of the Sea

For, even if the weather be thick, it does not matter much to a ship having all the open sea before her bows. A Landfall may be good or bad. You encompass the earth with one particular spot of it in your eye. In all the devious tracings the course of a sailing-ship leaves upon the white paper of a chart she is always aiming for that one little spot—maybe a small island in the ocean, a single headland upon the long coast of a continent, a lighthouse on a bluff, or simply the peaked form of a mountain like an ant-heap afloat upon the waters.
Source: Gutenberg

Portrait of Joseph Conrad Joseph Conrad The Mirror of the Sea

After years and years of experience the most trusty instrument of the sort that ever went to sea screwed on to a ship’s cabin bulkhead will, almost invariably, be induced to rise by the diabolic ingenuity of the Easterly weather, just at the moment when the Easterly weather, discarding its methods of hard, dry, impassive cruelty, contemplates drowning what is left of your spirit in torrents of a peculiarly cold and horrid rain. The sleet-and-hail squalls following the lightning at the end of a westerly gale are cold and benumbing and stinging and cruel enough.
Source: Gutenberg

Portrait of Joseph Conrad Joseph Conrad The Mirror of the Sea

A ship is not a slave. You must make her easy in a seaway, you must never forget that you owe her the fullest share of your thought, of your skill, of your self-love. If you remember that obligation, naturally and without effort, as if it were an instinctive feeling of your inner life, she will sail, stay, run for you as long as she is able, or, like a sea-bird going to rest upon the angry waves, she will lay out the heaviest gale that ever made you doubt living long enough to see another sunrise.
Source: Gutenberg

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