Summary

Portrait of Sax Rohmer Sax Rohmer,  The Insidious Dr. Fu Manchu

“ Now my feet sank in a soft carpet, and a curtain brushed my shoulder. A gong sounded. We stopped.
The din of distant drumming came to my ears.
"Where in Heaven's name are we?" hissed Smith in my ear; "that is a tom-tom!"
"S-sh! S-sh!"
The little hand grasping mine quivered nervously. We were near a door or a window, for a breath of perfume was wafted through the air; and it reminded me of my other meetings with the beautiful woman who was now leading us from the house of Fu-Manchu; who, with her own lips, had told me that she was his slave.
”
Source: Gutenberg

Portrait of Sax Rohmer Sax Rohmer,  The Insidious Dr. Fu Manchu

“ We all ran our best and swiftest. But Eltham outran us. Like a fury he tore at bolts and bars, and like a fury sprang out into the road. Straight and white it showed to the acclivity by the Roman ruin. But no living thing moved upon it. The distant baying of the dog was borne to our ears.
"Curse it! he's crippled," hissed Smith. "Without him, as well pursue a shadow!"
A few hours later the shrubbery yielded up its secret, a simple one enough: A big cask sunk in a pit, with a laurel shrub cunningly affixed to its movable lid, which was further disguised with tufts of grass.
”
Source: Gutenberg

Portrait of Sax Rohmer Sax Rohmer,  The Insidious Dr. Fu Manchu

“ A breeze whispered through the leaves; a great wave of exotic perfume swept from the open window towards the curtained doorway.
It was a breath of the East—that stretched out a yellow hand to the West. It was symbolic of the subtle, intangible power manifested in Dr. Fu-Manchu, as Nayland Smith—lean, agile, bronzed with the suns of Burma, was symbolic of the clean British efficiency which sought to combat the insidious enemy.
"One thing is evident," said Smith: "no one in the house, Strozza excepted, knew that Sir Lionel was absent."
"How do you arrive at that?" asked Weymouth.
”
Source: Gutenberg

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