Summary

Shelford Bidwell Curiosities of Light and Sight

Experiment shows that all the various hues of the spectrum, as well as all (including white) that can be formed from their mixture, may be derived from no more than three distinct colours. There are, in fact, an indefinite number of triads of colours which, in suitable combinations, are capable of producing the sensation of every tone, tint, and shade of colour which the eye of man has ever beheld.
Old-fashioned books, such as an early edition of Ganot’s “Physics,” tell us that the three “primary” colours are red, yellow, and blue, and that all others are produced by mixtures of these.
Source: Gutenberg

Shelford Bidwell Curiosities of Light and Sight

Again, look at a sunlit landscape or a printed wall poster through a combination of coloured glasses which will transmit only the violet end of the spectrum. You will find yourself for the time terribly short-sighted, everything appearing blurred and indistinct. But if you resort to the usual corrective for myopia, and put on a pair of concave spectacles, your normal vision will be restored; trees and houses will be seen as clearly as the feebleness of the light transmitted by the coloured glasses will permit, and the letters of the poster will become easily legible.
Source: Gutenberg

Shelford Bidwell Curiosities of Light and Sight

It is precisely because the hue called white is the one which is associated with the light of our sun that we regard whiteness as synonymous with absence of colour. We take sunlight as our standard of neutrality, and anything that reflects it without altering the proportions of its constituents we consider as being colourless.
Source: Gutenberg

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