Summary

Portrait of T. S. Stribling T. S. Stribling The Web of the Sun (Adventure Magazine… (1922)

So Lassiter always found himself alone in New York, the city of his birth.
To amuse himself he usually strolled a little after dinner up and down Broadway or Fifth Avenue, watching the dinner parties, the theater-goers, the crowds. To the theaters themselves he did not go because, like most men with a touch of romance in their make-up, the drama is too fore-ordained, its movement too metronomic, its action too logical. When logic comes in at the stage door, romance takes to its wings.
Source: Wikisource

Portrait of T. S. Stribling T. S. Stribling The Web of the Sun (Adventure Magazine… (1922)

By the time Lassiter saw the only possibility of romance in the Stendill offices lay among the girl stenographers, the size of his pay check had tethered him to his post. In point of fact, he never did marry a typist, slough his poetry and make another swallow's nest in the canons of New York. A certain Jack-a-Dreams mood, a shimmer of fancy, always floated between him and the comfortable commonplace of marriage.
The women in the office resented Lassiter's bachelorhood. The sex instinctively looks upon a man as a possible easement of life's roughnesses.
Source: Wikisource

Portrait of T. S. Stribling T. S. Stribling The Web of the Sun (Adventure Magazine… (1922)

To any one at all familiar with South American West Coast traditions, Lassiter's naïveté must appear amusing. Lassiter would have no opportunity of knowing the exclusive upper-class Spanish-American families. Lassiter not only did not belong, his work made him impossible. To the South American aristocracy commercialism is tainted. The Latin clings to the medieval idea that wealth should be wrung from the sweat of the unwilling, not from the purse of the unwary; he prefers peonage to commerce.
Source: Wikisource

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