Isaac Goldberg

Summary

Isaac Goldberg,  Brazilian tales (1921)

“ Ferrero is quite right in indicating the great non-literary importance of the novel, though not all readers will agree with him as to the excessive vagueness of the end. Hardly any other type of ending would have befitted a novel that treats of transition, of a landscape that dazzles and enthralls, of possibilities that founder, not through the malignance of fate, but through the stupidity of man. There is an epic swirl to the finale that reminds one of the disappearance of an ancient deity in a pillar of dust. For an uncommon man like Milkau an uncommon end was called for. ”
Source: Wikisource

Isaac Goldberg,  Brazilian tales (1921)

“ The heroine of María is more a woman, less a child than Innocencia, hence the fate of the Spanish girl is tragic where that of the other maiden is merely pitiful. Innocencia, on the other hand, is stouter in texture. In María there is no love struggle; the struggle is with life and circumstance; in Innocencia there is not only the element of rivalry in love, but in addition there is the rigid parent who sternly, and at last murderously, opposes the natural desires of a child whom he has promised to another. ”
Source: Wikisource

Isaac Goldberg,  Brazilian tales (1921)

“ The strange milieu breeds in both an intellectual langour that vents itself in long discussions, in breeding contemplation, mirages of the spirit. Milkau is gradually struck with something wrong in the settlement. Little by little it begins to dawn upon him that something of the Old-World hypocrisy, fraud and insincerity, is contaminating this supposedly virgin territory. Here he discovers no paradise à la Rousseau—no natural man untainted by the ills of civilization. Graft is as rampant as in any district of the world across the sea; cruelty is as rife. ”
Source: Wikisource

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