Theodore Ayrault Dodge

Theodore Ayrault Dodge

Summary

Portrait of Theodore Ayrault Dodge Theodore Ayrault Dodge Great captains (1889)

In enthusiastic activity and in all the qualities which compel good fortune, Alexander stands clearly at the head. No one but Frederick has perhaps so brilliant a string of tactical jewels as Hannibal, while in a persistent unswerving struggle of many years to coerce success against the constantly blackening frowns of Fortune, Hannibal stands alone and incomparable. Cæsar was a giant in conception and execution alike, and stands apart in having taught himself in middle life how to wage war, and then waging in it a fashion equalled only by the other five.
Source: Gutenberg

Portrait of Theodore Ayrault Dodge Theodore Ayrault Dodge Great captains (1889)

No one can become a great captain without a mental and physical activity which are almost abnormal, and so soon as this exceptional power of activity wanes, the captain has come to a term of his greatness. Genius has been described as an extraordinary capacity for hard work. But this capacity is but the human element. Genius implies the divine spark. It is the personality of the great captain which makes him what he is. The maxims of war are but a meaningless page to him who cannot apply them. They are helpful just so far as the man’s brain and heart, as his individuality, can carry them.
Source: Gutenberg

Portrait of Theodore Ayrault Dodge Theodore Ayrault Dodge Great captains (1889)

Whoever, under the sumptuous dome of the Invalides, has gazed down upon the splendid sarcophagus of Napoleon, and has stepped within the dim and narrow vault of the plain old garrison church at Potsdam, where stand the simple metal coffins of Frederick the Great and of his father, must have felt that in the latter shrine, rather than the other, he has stood in the presence of the ashes of a king.
Source: Gutenberg

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