Summary

Portrait of Theodore Winthrop Theodore Winthrop,  Edwin Brothertoft — Part III, Chapter IV

“ Is it possible that the excitement of a bad conscience has refined her beauty? Must the coarse take the poison of sin, as the fine take the medicine of sorrow, to kill the carnal element in their natures? Is it needful for some to wear, through life, a harsh dishonor next the skin?
“How can this be?” thought Lucy. “Should not the heart have peace, that the face may wear beauty, the emblem of peace?
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Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop,  Edwin Brothertoft — Part III, Chapter IV

“ To the guests they were Art; to the ladies they were mute personages in a tragedy. Lucy saw her mother’s glance, quick and covert, at these faces she had so long evaded. The daughter could understand now why, as Mrs. Brothertoft looked, her countenance seemed resolutely to harden, and grow more beautifully Gorgon than ever.
“Quite a chef-d’œuvre!” says Sir Henry Clinton, looking through his hand, with a knowing air. — “What color! what chiar’ oscuro! what drapery!” Jack André exclaimed. — “No one has ever painted high-bred people as Vandyck,” said Lord Rawdon.
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Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop,  Edwin Brothertoft — Part III, Chapter IV

“ We shall not see our noisy friends for some time.”
Again their eyes met for an instant. But the mother mistook Lucy’s pleading expression. She had lost her power of deciphering an innocent face. She fancied she read contempt and triumph, where there was only pity and love longing to revive. She turned away, and, yielding to a brutal emotion, resumed, — “Yes, go, Lucy, and keep out of sight for the evening! We must not have red eyes and swollen cheeks when Adonis comes from dinner with pretty speeches for his fair bride.”
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Source: Wikisource

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