Theodore Winthrop

Theodore Winthrop

Summary

Portrait of Theodore Winthrop Theodore Winthrop Isthmiana — The Bay

Farther along the beach a species of tree grows close down upon the sand, a hedge protecting the land from the sea, but its verdure is traitorous; these are the poisonous manzanilla, the Upas, which our school-boy eloquence so much employed. Beyond the wooded point, another cove, though not so perfect in its form, commences; and here, overgrown with trees and weeds, and partially covered with the quick-forming rock of the country, are the scanty ruins that mark the site of old Panama, the city of that bold, adventurous spirit whose type was Pizarro, and suggested by the very sound of his name.
Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop Isthmiana — The Bay

In the tropics, and most exquisite at Panama, before sunrise and after sunset there spreads upward from the horizon a violet flush, full of soft glow, vivid with suppressed light.
It is pleasant to look down upon anything or anybody; and the lower one has been, the more delightful becomes the consciousness of present elevation. The age of balloons and bird’s-eye views will develop human vanity to an insufferable degree. But some of our pleasures from looking down have a different origin.
Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop Isthmiana — The Bay

Land and water are the chief objects we behold; land oscillating and undulating into hills covered with deep, rich verdure of the tropics, and water blue and clear, with its waves marked only by shifting color, that shoots over the smooth seeming surface, — the ανηριθμον γελασμα of the ocean. The land is the Isthmus of Panama, a narrow bank between two worlds of sea, — one of the obstacles; the water is the Pacific, the ocean of material wealth combined with romance.
Source: Wikisource

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