Summary

Portrait of Theodore Winthrop Theodore Winthrop Life in the Open Air — Chapter IV. Umbagog (1863)

The dam checked the river’s turbulence, making it slow and mirror-like. It merited a more melodious name than harsh Androscoggin.
Five miles of such enchanting voyage brought us to Lake Umbagog. Whiffs of mist had met us in the outlet. Presently we opened chaos, and chaos shut in upon us. There was no Umbagog to be seen, — nothing but a few yards of gray water and a world of gray vapor. Therefore I cannot criticise, nor insult, nor compliment Umbagog. Let us deem it beautiful. The sun tried at the fog, to lift it with leverage of his early level beams.
Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop Life in the Open Air — Chapter IV. Umbagog (1863)

No being has ever shot a loon, though several have legends of some one who has. Sound has no power to express a profounder emotion of utter loneliness than the loon’s cry. Standing in piny darkness on the lake’s bank, or floating in dimness of mist or glimmer of twilight on its surface, you hear this wailing note, and all possibility of human tenancy by the shore or human voyaging is annihilated.
Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop Life in the Open Air — Chapter IV. Umbagog (1863)

Rowing into the damp breeze, we by and by traversed the lake. We had gained nothing but a fact of distance. But here was to be an interlude of interest. The “thoro’fare” linking Umbagog to its next neighbor is no thoro’fare for a bateau, since a bateau cannot climb through breakers over boulders. We must make a “carry,” an actual portage, such as in all chronicles of pioneer voyages strike like the excitement of rapids into the monotonous course of easy descent. Another boat was ready on the next lake, but our chattels must go three miles through the woods.
Source: Wikisource

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