Thomas Alfred Coward

Summary

Thomas Alfred Coward Bird Haunts and Nature Memories… (1922)

To learn the jizz should be the object of every field naturalist; it can only be learnt by study of wild creatures in their natural surroundings. The seagull in the aviary, the lark in the cage, the rabbit in the hutch have lost more than half their jizz; the specimen in ninety-nine out of a hundred cases has lost it all. The representation, whether drawing, painting, or photograph, is not faithful according to the artist's skill in registering what his eye sees, but in reproducing that mental picture which exists in his very soul. Ability to portray jizz is a psychic gift.
Source: Wikisource

Thomas Alfred Coward Bird Haunts and Nature Memories… (1922)

Jizz may be applied to or possessed by any animate and some inanimate objects, yet we cannot clearly define it. A single character may supply it, or it may be the combination of many; it may be produced by no one in particular. As a rule it is character rather than characteristics, the tout ensemble of the subject. Perhaps the outdoor naturalist, and in particular the field ornithologist, realises the full value of jizz better than most people. At a distance, too far away to see details of form, colour, or pattern, so precious in the eyes of the systematist, he sees a bird and recognises it.
Source: Wikisource

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