Algernon Blackwood

Algernon Blackwood

On Wings (1911)

Summary

Portrait of Algernon Blackwood Algernon Blackwood On Wings (1911)

Scenery for some comes back most vividly to the mind with the memory of the bird-life associated with it. To hear the laughter of the loons, so weirdly human in its note, and see their straight and level flight across wide, lonely lakes, so close that their feet must catch the spray of every wave, recalls for me the Canadian backwoods far more completely than any memory of deer or moose or bear. For me personally the birds divide this reconstructive power about equally with the smells of trees and flowers, or, above all, the odour of wood smoke.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood On Wings (1911)

And equally fascinating to watch, perhaps, is the adroit and wonderful balancing a bird displays in hovering with motionless wings outstretched, and the way it uses every current of air to sustain or propel its perfectly-adjusted weight. One could almost imagine that there ran through every feather down to the very tips some exquisite system of nerves more delicate even than those of human beings. They seem to feel the wind, to be forewarned of every slightest change, to sense the advance and retreat of every little current.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood On Wings (1911)

But one never grudged the birds their happiness and powers for long. Childhood always loves the birds⁠—their mystery lies closer to the dreams of imaginative childhood, perhaps, than the mystery of four-footed life, and in proportion to their number they contain fewer fierce and savage, certainly fewer dangerous, species. The air would mean to us so little without them; their song and movement seem to interpret all the vault of sky. The passion of a single lark can set a whole spring morning to music
Source: Wikisource

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