Thomas Alfred Coward

Biographical details

Thomas Alfred Coward,  Bird Haunts and Nature Memories… (1922)

“ To learn the jizz should be the object of every field naturalist; it can only be learnt by study of wild creatures in their natural surroundings. The seagull in the aviary, the lark in the cage, the rabbit in the hutch have lost more than half their jizz; the specimen in ninety-nine out of a hundred cases has lost it all. The representation, whether drawing, painting, or photograph, is not faithful according to the artist's skill in registering what his eye sees, but in reproducing that mental picture which exists in his very soul. Ability to portray jizz is a psychic gift. ”
Source: Wikisource

Thomas Alfred Coward,  Bird Haunts and Nature Memories… (1922)

“ When the tide was full, when we could see shadowy boats steaming down the distant channel seaward, the grey geese came, following the water from their sandbank refuges, now many feet below the tide. Only for a minute did we see the pack, then they settled, hidden in the mist; one or two skeins broke from the main body, flying inland towards the fields. Fine birds, these pink-footed geese, as with outstretched necks they swing along in regular line with steady, powerful strokes; there is nothing in their wild freedom to suggest the awkward, waddling, averted birds of the farmyard. ”
Source: Wikisource

Thomas Alfred Coward,  Bird Haunts and Nature Memories… (1922)

“ Few birds are singing, though they are by no means silent; call notes, to and from youngsters, resound on every hand. Yet in the dense leafage the birds are barely visible. We catch the flash of the white wing-bar of the chaffinch which is hunting aphides in the tops; we hear the wheezy, insistent cries of juvenile starlings, the luit of the anxious willow wren, the low chitter of the reed-warbler near the water's edge. ”
Source: Wikisource

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