Thomas Ashby and Luigi Villari

Summary

Thomas Ashby and Luigi Villari 1911 Encyclopædia Britannica (1911)

The main art centres of Tuscany are Florence, Pisa and Siena, the headquarters of the chief schools of painting and sculpture from the 13th century onwards. While the former city, however, bore as prominent a part as any in Italy in the Renaissance, the art of Pisa ceased, owing to the political decline of the city, to make any advance at a comparatively early period, its importance being in ecclesiastical architecture in the 12th, and in sculpture in the 13th century.
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Thomas Ashby and Luigi Villari 1911 Encyclopædia Britannica (1911)

The hill country just inland, especially near Volterra, has poor soil, largely clayey, and subject to landslips, but is rich in minerals. But for the Maremma, Tuscany is one of the most favoured regions of Italy. The climate is temperate, and the rainfall not excessive. The Apennines shelter it from the cold north winds, and the prevailing winds in the west, blowing in from the Tyrrhenian Sea, are warm and humid, though Florence is colder and more windy than Rome in the winter and hotter in summer, owing to its being shut in among the mountains.
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Thomas Ashby and Luigi Villari 1911 Encyclopædia Britannica (1911)

After Napoleon’s defeats in 1814 Murat seceded from the emperor and occupied Tuscany, which he afterwards handed over to Austria, and in September Ferdinand III. returned, warmly welcomed by nearly everybody, for French rule had proved oppressive, especially on account of the heavy taxes and the drain of conscription. At the Congress of Vienna he was formally reinstated with certain additions of territory and the reversion of Lucca. On Napoleon’s escape from Elba Murat turned against the Austrians, and Ferdinand had again to leave Florence temporarily
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