Summary

Portrait of Pasquale Villari Pasquale Villari 1911 Encyclopædia Britannica, Volume 18… (1911)

Florence was still called a republic; the old institutions were still preserved, if only in name. Lorenzo was absolute lord of all, and virtually a tyrant. His immorality was scandalous; he kept an army of spies; he frequently meddled in the citizens’ most private affairs, and exalted men of the lowest condition to important offices of the state. Yet, as Guicciardini remarks, “if Florence was to have a tyrant, she could never have found a better or more pleasant one,” In fact all industry, commerce and public works made enormous progress.
Source: Wikisource

Portrait of Pasquale Villari Pasquale Villari 1911 Encyclopædia Britannica, Volume 18… (1911)

Both in his art and in his politics he leant upon the people. The more oppressive his government, the more did he seek in his verses to incite the public to festivities and lull it to slumber by sensual enjoyments. In his Ballate, or songs for dancing, and more especially in his carnival songs, a kind of verse invented by himself, Lorenzo displayed all the best qualities and worst defects of his muse. Marvellously and spontaneously elegant, very truthful and fresh in style, fertile in fancy and rich in colour, they are often of a most revolting indecency.
Source: Wikisource

Portrait of Pasquale Villari Pasquale Villari 1911 Encyclopædia Britannica, Volume 18… (1911)

Spain withdrew her garrisons from Tuscany, and Austrian soldiers took their place and swore fealty to the grand-duke on the 5th of February 1737. He expired on the 9th of July of the same year. Such was the end of the younger branch of the Medici, which had found Tuscany a prosperous country, where art, letters, commerce, industry and agriculture flourished, and left her poor and decayed in all ways, drained by taxation, and oppressed by laws contrary to every principle of sound economy, downtrodden by the clergy, and burdened by a weak and vicious aristocracy.
Source: Wikisource

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