Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

These decorations were the most beautiful, not only of all that had ever before been prepared by Aristotile, but of all that had ever been executed by any one up to that time, since Bastiano there constructed wings or side scenes, with a magnificent arch of triumph at the extremity of the stage, which last was painted to represent marble, the whole adorned with historical delineations and statues, to say nothing of perspective views representing streets, &c. stretching far away into the distance, and of many other embellishments, all giving proof of the most incredible care and forethought.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Francesco Ubertino, called Bacchiacca, was an industrious painter, and although he was the friend of Jacone, he always lived in a decent manner and like an honest man: he too was an associate of Andrea del Sarto, and was ever much favoured and assisted in matters of art by that master. Francesco, I repeat, was a diligent painter, and was more particularly successful in the execution of small figures, which he executed to perfection and with infinite patience
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Neither does it appear to me fair or just that he who labours at his desk to produce designs, which are afterwards to he executed in large paintings, comprising so many and such varied subjects, should then receive for the laborious thought of his nights, and the toils, perhaps of many weeks, only so much as one would pay the daily work of him who, instead of having to rack his brains in the manner that Aristotile has done, is only called on to copy and imitate, without any fatigue of mind, and but little in comparison of hand or body.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature