Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Born of indigent parents and abandoned by his kindred in his earliest youth, Perino was guided and governed by art alone—art, which he always acknowledged as his true mother, and ever honoured as such. With so much zeal accordingly did he devote himself to the study of painting, and such was the success of his unremitting endeavours to attain perfection, that he became capable of executing those most admirable and justly renowned works, by which in his day the glory of Genoa and the fame of the Prince Doria were so largely increased.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

All the gods of the Olympian Heaven are seen in attitudes of infinite animation, and with expressions entirely appropriate to the circumstances and to the terrors awakened by those tremendous thunders, each deity comporting himself according to his nature. The stucco work also is executed with the utmost care, and the colouring of the fresco could not possibly be more beautiful than it is, seeing that Perino was a perfect master of that branch of art, and possessed extraordinary ability therein.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

THE FLORENTINE PAINTER, PERINO DEL VAGA.
[born 1500—died 1547.]
Very great, without doubt, is the value of art, which, far from having regard to the favours of fortune, the possession of power, or the nobility of blood, is much more frequently found to bless, to sustain, nay, rather to exalt above the earth, some child of poverty, than one cradled amidst the luxuries of wealth.
Source: Wikisource

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