Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Having set hand to the work accordingly, Jacopo did indeed labour no less for the attainment of glory and honour, than from desire of gain, and executed a story, the subject of which was the Visitation of the Madonna, which he treated in a manner somewhat more animated and lively than it had previously been his wont to do, thereby adding an infinite amount of beauty to the many other excellencies presented by his works. The women, the children, the youths, and the old men, are painted in this fresco with a softness and harmony of colouring which is really wonderful.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

The study of that new manner and the force of those German engravings, had thus so great an effect on the performance of Puntormo, that although this work is without doubt -a very beautiful one, there is but little of the grace which up to that time Jacopo Puntormo had always imparted to his figures.
At the entrance to the cloister in question, the master depicted Our Saviour Christ in the garden; the time is night, but the picture is so beautifully illuminated by the light of the Moon, that it appears almost as the day.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

It moves one to compassion indeed, as one remarks, on examining these works, the simplicity of the artist who would bestow so much labour and pains to acquire that which all others seek with so much care to avoid, or if they have it, to lose; and this is all the more extraordinary when it is considered, that Puntormo abandoned a manner which surpassed in excellence that of all others and gave infinite pleasure to every one merely to secure a defect.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature