Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Alessandro then, in the pictures and portraits executed up to his present age of thirty years, has proved himself to be the worthy disciple of so great a master, and is constantly seeking to attain by diligence and perpetual study, to that highest perfection to which all noble and elevated minds aspire. He has painted the Chapel of the Montaguti, in the Church of the Nunziata, entirely with his own hand; the Altar-piece in oil that is to say, and the walls and ceiling in fresco. On the Altar-piece we have Christ and the Madonna in the heavens
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

For Bartolommeo Panciatichi, Bronzino painted two large pictures of the Madonna, with other figures, and these are beautiful to a marvel; he also took the portraits of Bartolommeo and his wife, both so natural that they appear to be living, and want nothing but the breath of life. For the same person Agnolo painted a picture of Christ on the Cross; and this is executed in a manner which proves that the artist really drew from a dead body fixed to a cross, so complete is the perfection of every part.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Beautiful models by the hand of Giovanni Bologna are now in the possession of the Florentine gentlemen, Messer Bernardo Vecchietti, and of Maestro Bernardo the son of Mona Mattea, the Duke’s master builder, who has erected, with great ability, all the edifices designed by Vasari. Nor less remarkable, for his fine genius, than Giovanni and his friends, is Vincenzio Danti of Perugia, [41] a youth who, under the protection of Duke Cosimo, has adopted Florence as his country. Vincenzio first gave his attention to the art of the goldsmith, in which calling he produced works of incredible excellence
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature