Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Finally, Francesco being resolved on returning to Rome, Giorgio, as his friend, reminded him that, being rich, advanced in years, and of very weak health, he ought now to think of living in quiet, and should carefully shun the strifes and contentions of active life; all which he might have done most conveniently, he having acquired both honour and profit enough, if he had not been too avaricious and eager for gain.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Francesco was indeed never much liked in France, he being of a disposition altogether opposed to that of the men of the country, seeing that by as much as the joyous and jovial companions who live freely with all, and appear willingly at festivals and banquets, are acceptable to them, by so much, are, I will not say, disliked or avoided, but at least, less welcome to them, all such as, like Francesco, are of a melancholy temperament, reserved manners, infirm health and peevish temper.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Now there was at that time a society of young goldsmiths and painters in Florence, who were accustomed occasionally to meet together and proceed on festival days or at other times to copy or design from the best works, wherever these were to be found dispersed about the city; but among all these young men, there was none who exerted himself with more zeal and love on these occasions than Francesco.
Source: Wikisource

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