Thomas De Quincey

Thomas De Quincey

Dream Fugue (1849)

Summary

Portrait of Thomas De Quincey Thomas De Quincey Dream Fugue (1849)

The choir had ceased to sing. The hoofs of our horses, the rattling of our harness, alarmed the graves no more. By horror the bas-relief had been unlocked into life. By horror we, that were so full of life, we men and our horses, with their fiery fore-legs rising in mid air to their everlasting gallop, were frozen to a bas-relief. Then a third time the trumpet sounded; the seals were taken off all pulses; life, and the frenzy of life, tore into their channels again; again the choir burst forth in sunny grandeur, as from the muffling of storms and darkness
Source: Wikisource

Portrait of Thomas De Quincey Thomas De Quincey Dream Fugue (1849)

One cry burst from our lips as the clouds, drawing off from the aisle, showed it empty before us—"Whither has the infant fled?—is the young child caught up to God?" Lo! afar off, in a vast recess, rose three mighty windows to the clouds: and on a level with their summits, at height insuperable to man, rose an altar of purest alabaster. On its eastern face was trembling a crimson glory. Whence came that? Was it from the reddening dawn that now streamed through the windows?
Source: Wikisource

Portrait of Thomas De Quincey Thomas De Quincey Dream Fugue (1849)

Like armies that ride in pursuit, they moved with one step. Us, that, with laurelled heads, were passing from the cathedral through its eastern gates, they overtook, and, as with a garment, they wrapped us round with thunders that overpowered our own. As brothers we moved together; to the skies we rose—to the dawn that advanced—to the stars that fled; rendering thanks to God in the highest—that, having hid his face through one generation behind thick clouds of War, once again was ascending—was ascending from Waterloo—in the visions of Peace
Source: Wikisource

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