Summary

Thomas Dibdin Valentine and Orson: A Romantic Melo-Drame

Valentine ventures to caress him—Orson turns short on him, snatches at his sword by the blade, and again cuts his fingers—resumes his club, but throws it down again on seeing the dead Bear.—Valentine caresses Orson again (still keeping on his guard) , Orson seeing Valentine's attention to himself and the Bear, seems pleased and overcome by it—presents Valentine with one end of the cord, and holding the other, suffers himself to be led off, looking back from time to time, at the dead Bear, and making an uncouth and mournful kind of lamentation.
Source: Gutenberg

Thomas Dibdin Valentine and Orson: A Romantic Melo-Drame

Hugo, being left alone, seems terrified, and as much afraid to go back, as to follow Valentine—looks warily about him, hears a noise, and runs to the cave for shelter—a roar is heard from the cave, Hugo instantly returns running, most whimsically terrified, and pursued by Orson—Hugo throws his cloak at the wild man, and while he is tearing it to pieces, Hugo runs off—Orson throws down the cloak, and doubly enraged by the escape of his intended victim, follows.
Source: Gutenberg

Thomas Dibdin Valentine and Orson: A Romantic Melo-Drame

When a savage strikes at the general safety, 'tis the duty of all good citizens to join against him.
Henry.
Haply, young Valentine, in gratitude for the high favours he receives, would gladly go alone on such an errand.
Haufray.
Ay, good my liege, his all-subduing valour must succeed.
[Pg 18]
Valentine.
For once, whate'er your motives you're my friends. It had been arrogance, had I, before so many gallant knights, proposed myself; but now I swear, living or dead, to bring this fell destroyer to your presence, or in the forest he inhabits, leave this form a worthless token of his victory.
Source: Gutenberg

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