Summary

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 2. JULY THE TWENTY-NINTH (1871)

Something forbade--'
'What?' she exclaimed.
'Something forbade me--till the kiss--yes, till the kiss came; and now nothing shall forbid it! We'll hope in spite of all. . . I must, however, speak of this love of ours to your brother. Dearest, you had better go indoors whilst I meet him at the station, and explain everything.'
Cytherea's short-lived bliss was dead and gone. O, if she had known of this sequel would she have allowed him to break down the barrier of mere acquaintanceship--never, never!
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 2. JULY THE TWENTY-NINTH (1871)

Architecture is a bewitching profession. They say that an architect's work is another man's play.'
'Yes. But worldly advantage from an art doesn't depend upon mastering it. I used to think it did; but it doesn't. Those who get rich need have no skill at all as artists.'
'What need they have?'
'A certain kind of energy which men with any fondness for art possess very seldom indeed--an earnestness in making acquaintances, and a love for using them. They give their whole attention to the art of dining out, after mastering a few rudimentary facts to serve up in conversation.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 2. JULY THE TWENTY-NINTH (1871)

It is a melancholy truth for the middle classes, that in proportion as they develop, by the study of poetry and art, their capacity for conjugal love of the highest and purest kind, they limit the possibility of their being able to exercise it--the very act putting out of their power the attainment of means sufficient for marriage. The man who works up a good income has had no time to learn love to its solemn extreme; the man who has learnt that has had no time to get rich.
Source: Wikisource

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