Summary

Portrait of Thomas Hardy Thomas Hardy Under the Greenwood Tree; Or, The Mellstock Quire

Geoffrey’s firm opposition to the notion of Dick as a son-in-law was more than she had expected. She had frequently seen her lover since that time, it is true, and had loved him more for the opposition than she would have otherwise dreamt of doing—which was a happiness of a certain kind. Yet, though love is thus an end in itself, it must be believed to be the means to another end if it is to assume the rosy hues of an unalloyed pleasure. And such a belief Fancy and Dick were emphatically denied just now.
Source: Gutenberg

Portrait of Thomas Hardy Thomas Hardy Under the Greenwood Tree; Or, The Mellstock Quire

If ever a woman looked a divinity, Fancy Day appeared one that morning as she floated down those school steps, in the form of a nebulous collection of colours inclining to blue. With an audacity unparalleled in the whole history of village-school-mistresses at this date—partly owing, no doubt, to papa’s respectable accumulation of cash, which rendered her profession not altogether one of necessity—she had actually donned a hat and feather, and lowered her hitherto plainly looped-up hair, which now fell about her shoulders in a profusion of curls.
Source: Gutenberg

Portrait of Thomas Hardy Thomas Hardy Under the Greenwood Tree; Or, The Mellstock Quire

Vanishing into the outhouse with a large brown towel, and the above-named bubblings and snortings being carried on for about twenty minutes, the tranter would appear round the edge of the door, smelling like a summer fog, and looking as if he had just narrowly escaped a watery grave with the loss of much of his clothes, having since been weeping bitterly till his eyes were red; a crystal drop of water hanging ornamentally at the bottom of each ear, one at the tip of his nose, and others in the form of spangles about his hair.
Source: Gutenberg

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