Thomas Hardy

Thomas Hardy

Summary

Portrait of Thomas Hardy Thomas Hardy,  Far from the Madding Crowd (1874)

“ They were those of Miss Everdene, Shepherd Oak, and Cainy Ball.
When Bathsheba's figure shone upon the farmer's eyes it lighted him up as the moon lights up a great tower. A man's body is as the shell, or the tablet, of his soul, as he is reserved or ingenuous, overflowing or self-contained. There was a change in Boldwood's exterior from its former impassibleness; and his face showed that he was now living outside his defences for the first time, and with a fearful sense of exposure. It is the usual experience of strong natures when they love.
”
Source: Gutenberg

Portrait of Thomas Hardy Thomas Hardy,  Far from the Madding Crowd (1874)

“ Tell me the truth, Frank. I am not a fool, you know, although I am a woman, and have my woman's moments. Come! treat me fairly," she said, looking honestly and fearlessly into his face. "I don't want much; bare justice—that's all! Ah! once I felt I could be content with nothing less than the highest homage from the husband I should choose. Now, anything short of cruelty will content me. Yes! the independent and spirited Bathsheba is come to this!"
"For Heaven's sake don't be so desperate!" Troy said, snappishly, rising as he did so, and leaving the room.
”
Source: Gutenberg

Portrait of Thomas Hardy Thomas Hardy,  Far from the Madding Crowd (1874)

“ She suddenly exclaimed in an impulsive and excited whisper, "Have you heard anything strange said of Fanny?" The words had no sooner escaped her than an expression of unutterable regret crossed her face, and she burst into tears.
"No—not a word!" said Liddy, looking at the weeping woman with astonishment. "What is it makes you cry so, ma'am; has anything hurt you?" She came to Bathsheba's side with a face full of sympathy.
"No, Liddy—I don't want you any more. I can hardly say why I have taken to crying lately: I never used to cry. Good-night."
”
Source: Gutenberg

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