Summary

Thomas K. Bullock The Wigmaker in Eighteenth-Century Williamsburg

Negro slaves may sometimes have been decked out in white wigs: those who were the liveried house slaves, coachmen, and the like, of the ostentatiously rich planters. On the other hand, such a well-to-do and fashion-conscious man as George Washington 14 seems from portraits and other records to have worn no wig at all, though he kept his own hair well powdered and curled. In the lesser ranks craftsmen, indentured servants, and apprentices sometimes did and sometimes did not wear wigs.
Source: Gutenberg

Thomas K. Bullock The Wigmaker in Eighteenth-Century Williamsburg

Two customers and seven workers in an eighteenth-century French barber-wigmaker’s shop. From left to right: a man (partly obscured in the shadow) prepares hair in the hackle; another sews weft to the peruke on the wig block in his lap; before the window a girl weaves strands of hair on the frame to make weft; a customer, standing, protects his face with a cloth as he dusts his head with powder; an apprentice shaves a second customer; in the background two workers heat curling irons in the fire; another apprentice dresses what appears to be a Ramillies wig on the stand.
Source: Gutenberg

Thomas K. Bullock The Wigmaker in Eighteenth-Century Williamsburg

In the settled areas and towns, however, only a clean-shaven face was acceptable to the fashion that simultaneously demanded false hair on the head. Most men probably shaved themselves, and some, like Councillor Robert Carter and Dr. John Sequeira, had slaves trained to do their barbering. Of the rest a goodly number visited Charlton’s shop almost daily and paid him an annual fee for “shaving and dressing.” We do not know if this meant shaving the face or the head or both; “dressing,” of course, normally referred to care of the wig.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature