Valentine Williams

Valentine Williams

Summary

Portrait of Valentine Williams Valentine Williams Island Gold — I. Doña Luisa (1923)

But the place swarmed with life. Black faces grinned at the unglazed casements; dark figures hurried to and fro; while from many cabins came chattering voices raised high in laughter or dispute. In the distance a native drum throbbed incessantly. To me it was like entering an African village. I knew we were in the negro quarter of the city.
Suddenly Doña Luisa stopped, and when I was beside her said in a low voice, “We'm mos' there!”—and struck off down a narrow lane.
Source: Wikisource

Portrait of Valentine Williams Valentine Williams Island Gold — I. Doña Luisa (1923)

I glanced through the note a second time. I rather liked its independent tone. So in the end I bade the woman wait while I fetched my hat. But as I took down my panama from its peg I paused an instant, then running into my room picked my old automatic out of my dressing-case and slid it into my jacket pocket. I had long since learnt the lesson of the Secret Service that a man may only once forget to carry arms.
As soon as I stepped out into the gardens, the old negress waddled off down the path, her bare feet pattering almost noiselessly on the hard earth.
Source: Wikisource

Portrait of Valentine Williams Valentine Williams Island Gold — I. Doña Luisa (1923)

But presently we left the purlieus of the port, and after passing a long block of warehouses, black and forbidding, came upon a kind of township of tumbledown wooden cabins on the outskirts of the city. The stifling air was now heavy with all manner of evil odours; and heaps of refuse, dumped in the broken roadway, reeked in the hot night. The houses were the merest shanties, most of them in a dilapidated condition.
Source: Wikisource

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