Summary

Various The Argosy, Vol. 51, No. 6, June…

Lights and shadows cast by the torch flitted about like wings. The choir gates were closed, and within them all was darkness and solemnity. Finally we entered the sacristy, where again the surplices hanging up in rows looked strange and suggestive. The old verger opened the door, extinguished his torch, and we stood once more in the outside night, under the stars and the sky.
"How often we come in for these experiences," said H.C. "How delightful they are; full of a sacred beauty and solemnity. How few ever attempt to enter a cathedral at night, and how much they lose.
Source: Gutenberg

Various The Argosy, Vol. 51, No. 6, June…

In the bright light the costumes of the players made a mass of rich colour. Mademoiselle stood, prettily defiant. A ripple of music burst from the orchestra, and died away in a stately movement. With a merry laugh the revellers posed for the dance. They bowed low in courtesy—joined hands—advanced—retired. Then Raoul's violin alone continued the measure, as, one by one, the others drew away and left Mademoiselle alone. It was the Bouvard water-colour, but living and moving. Her lithe, slender body seemed light as air. Every gesture, every pose, was full of a grave dignity.
Source: Gutenberg

Various The Argosy, Vol. 51, No. 6, June…

Music, life, and colour were in harmony. Gradually the full orchestra took up the strain again—Mademoiselle, panting, flung herself into the ready arms of Augustin, and the stillness was broken by the thunder of applause.
After the curtain had fallen, and while the folk were yet streaming out, Jacques summoned Raoul to Mademoiselle's room. She met him with her hands outstretched.
"Chevalier, you played beautifully," she said; "and I have never danced better. You inspired me; you are my good angel. Come to me to-morrow and take me to mass."
Source: Gutenberg

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