Summary

Victor Appleton The Moving Picture Boys on the War Front

And there, in the midst of the fighting but off to one side and out of the line of direct fire, stood Blake, Joe and Charlie, the two former turning the handles of the cameras and taking pictures even as they had stood in the midst of the volcanoes and earthquakes, or in the perils of the deep, making views.
The fighting became a mad riot of sound—the sound of big guns and little—the sound of bursting shells from either side—the yells of the men—the shouting of the officers and the shrill cries of the wounded.
Source: Gutenberg

Victor Appleton The Moving Picture Boys on the War Front

Then, as Blake watched, he saw the door open and the German come out. Labenstein looked around with furtive glances, and they rested for some little time on the door behind which Blake was watching. Then, as if satisfied that all was quiet, the man stole silently along, the corridor.
"Something doing," thought Blake. "Something doing, all right. He has something in his hand—probably my flashlight. Much good may it do him!"
As Labenstein passed the stateroom where Lieutenant Secor was quartered, that door opened softly, but not until the German was beyond it.
Source: Gutenberg

Victor Appleton The Moving Picture Boys on the War Front

And, more than that, the whole area might suddenly be swept by a hail of bullets from a battery of machine guns. Both sides had these deadly weapons in readiness, and it was well known that Fritz was exceedingly nervous and apt, at times, to let burst a salvo of fire without any real reason.
The fluttering of some armless sleeve on the body of a dead man, the rattle of a loose strand of barbed wire, the movement of a sorely wounded soldier lying out in the open, might draw the German fire. And if the moving picture boys were caught in that they would be hard put to it to escape.
Source: Gutenberg

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