Summary

Portrait of Willa Sibert Cather Willa Sibert Cather McClure's Magazine, Volume 28, Number 5… (1907)

A glance about his denuded rooms had sufficed to chill the glow of the afternoon, and we fled across the hall in a body and begged Lyon Hartwell to take us in.
Bentley had said very little about it, but we all knew what it meant to him to be called home. Each of us knew what it would mean to himself, and each had felt something of that quickened sense of opportunity which comes at seeing another man in any way counted out of the race. Never had the game seemed so enchanting, the chance to play it such a piece of unmerited, unbelievable good fortune.
Source: Wikisource

Portrait of Willa Sibert Cather Willa Sibert Cather McClure's Magazine, Volume 28, Number 5… (1907)

The Hartwell homestead had been sold away little by little, until all that remained of it was garden and orchard. The house, a square brick structure, stood in the midst of a great garden which sloped toward the river, ending in a grassy bank which fell some forty feet to the water's edge. The garden was now little more than a tangle of neglected shrubbery; damp, rank, and of that intense blue-green peculiar to vegetation in smoky places where the sun shines but rarely, and the mists form early in the evening and hang late in the morning.
Source: Wikisource

Portrait of Willa Sibert Cather Willa Sibert Cather McClure's Magazine, Volume 28, Number 5… (1907)

I used to pace the garden walks in the evening, wondering that no breath of his, no echo of his laugh, of his call to his pony or his whistle to his dogs, should linger about those shaded paths where the pale roses exhaled their dewy, country smell. Sometimes, in the dim starlight, I have thought that I heard on the grasses beside me the stir of a footfall lighter than my own, and under the black arch of the lilacs I have fancied that he bore me company.
Source: Wikisource

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