Summary

Willem S. Vorster The production of the Gospel of Mark – An essay on intertextuality (1993)

How one should picture Mark editing tradition in written or oral form by changing a word here and there, adding a sentence or two, rearranging the order of material, putting the traditional material into a narrative frame and joining separate units or episodes — as redaction critics make us believe — is difficult to imagine. There is much more to the production of a text than traditional views would allow. As long as the Gospels are perceived mainly from the perspective of their growth, the process of production is blurred.
Source: Wikisource

Willem S. Vorster The production of the Gospel of Mark – An essay on intertextuality (1993)

One of the inferences one should make from the use of the Old Testament in the Gospel of Mark is that the author created a new story with the aid of intertextual codes that helped him to communicate his own point of view. The Old Testament quotations and references formed part of the new story that Mark created in order to convince his readers of his point of view concerning Jesus and the implications of Jesus’ life, works and words for the prevailing situation.
Somebody may argue that the Old Testament is a special case and that it does not say much.
Source: Wikisource

Willem S. Vorster The production of the Gospel of Mark – An essay on intertextuality (1993)

The material in the Gospel was increasingly regarded as edited tradition — an idea which goes far back, but one that had only recently developed. Although the Gospel as a whole came into focus, the interest was in the redaction of tradition. This resulted in detailed investigations concerning tradition and redaction in the Gospels. In the case of Mark it was extremely difficult to determine exactly what could be regarded as tradition and what could not, because of the absence of copies of the presumed sources.
Source: Wikisource

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