William De Morgan

William De Morgan

Summary

Portrait of William De Morgan William De Morgan,  When Ghost Meets Ghost

“ It was very singular that Gwen, who had seen the old twin sister—as we know her to have been—should have fallen so in love with the one whose acquaintance she last made. The story can only accept the fact that it was so, without speculating on its possible connection with the growth of a something that is not the body. It may appear—or may not—to many, that, in old Maisie's life, a warp of supreme love, shuttle-struck by a weft of supreme pain, had clothed her soul, as it were, in a garment unlike her sister's; a garment some eyes might have the gift of seeing, to which others might be blind. ”
Source: Gutenberg

Portrait of William De Morgan William De Morgan,  When Ghost Meets Ghost

“ In the darkness and the silence of the night, a solitary, discouraged candle in a shade protesting feebly against the one, and every chance sound that day would have ignored emphasizing the other, the stillness of the figure on the bed became a mystery and an oppression. How Gwen would have welcomed a recurrence of the faintest breath, to keep alive her confidence that this was only sleep—sleep to be welcomed as the surest herald of life and strength! ”
Source: Gutenberg

Portrait of William De Morgan William De Morgan,  When Ghost Meets Ghost

“ Is ever a November so self-centred as to refuse to help the Old Year to a memory of the gleams of April, and the nightingale's first song about the laggard ash-buds? Is icy December's self so remorseless, even when the holly-berries are making a parade of their value as Christmas decorations?—even when it's not much use pretending, because the Waits came last night, and you thought, when you heard them, what a long time ago it was that a little boy or girl, who must have been yourself, was waked by them to wonder at the mysteries of Night? ”
Source: Gutenberg

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