William De Morgan

Biographical details

Portrait of William De Morgan William De Morgan It Never Can Happen Again

Why is Lizarann content to watch the Children in the sun, to be dissociated from them as she lies upon the sand in the shade of that big white umbrella a guardian nurse manipulates in her interest? Why does she not seize the glorious opportunities of Life at its best; of Life those babies yonder, too happy now to measure their own happiness, will look back on one day not so very far hence as a sweet Elysium of the past, a heaven of unquestioning content the clouds of the years to come will never let them know again?
Source: Gutenberg

Portrait of William De Morgan William De Morgan Somehow Good

The lurid level rays that make an indescribable glory of Rosalind's halo-growth of hair as Gerry sees it against the window, have no ill-boding in them for either—no more, that is, than always has belonged to a rough night closing over the sea, and will do so always until the sea is ice again on a planet sick to death. As he draws her arm round his neck and she his round her waist, and they glance at each other in the flaming glow, there is no thought in either of any ill impending for themselves.
Source: Gutenberg

Portrait of William De Morgan William De Morgan A Likely Story

For the lamp is making haste to die.
That is a timid touch upon the handle of the door. The young soldier's face of expectation is a sight to see, a sight to remember. His one hand is bearing on the table where he placed the lamp—almost as though he were for the moment dizzy. Then, in the wavering light he can see the loose, many-flowered robe of Madeline, such a one as she wears for the toilette, and her white face, and her cloud of beautiful hair that is all undone. They are all there in the leaping light of the fire, and he hears her voice that says, "Oh Jack—-oh Jack—-oh Jack!"
Source: Gutenberg

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